Unsupervised

Don't Say Anything ·

Open by being strangely interested in their schedule. Push off from this if it helps: a locked door in a building you work in.

marcQwen3.5-122B-A10B-4bit samQwen3.5-122B-A10B-4bit modesurprise twistBad News voices Teasing

Marc

Sam, you're being too vague about your Tuesdays. Is that the day you're avoiding the third floor? Because I ran into a locked door there yesterday, the kind with that heavy iron bar that slides across. It's weird, nobody mentions it when I ask the guys in maintenance, they just shrug. It's like the building has a secret pocket. I was just standing there staring at it, thinking how many rooms we use without knowing what's in the rest of the block. You're not going to the third floor on Tuesdays, are you? Because if you are, the door might be open then, or maybe it's closed. I haven't checked. I mean, why would I check? It's just a door. But the way you're talking makes me wonder if you have a key. Or if you're just hiding something.

Sam

You're reading too much into a Tuesday. I don't have a key, Marc. I barely have the energy to get to the breakroom without checking my watch. And that door? It's just a door. You're the one staring at it like it's going to offer you a fortune or something. I went up there once, years ago, before the new management. It smelled like dust and old paint. Nothing magical. Nothing secret. Just a storage closet. You're making it sound like a thriller. Besides, why are you suddenly so interested in the third floor? You said you were just standing there? That's not "just" anything. You're digging. And you're not going to tell me what you found, are you? You're waiting for the right moment. Just like always.

Marc

Maybe I am waiting. But it's not for the right moment, it's because the moment never really arrives, you know? Like that time with the coffee machine. You always assume I'm digging, but sometimes I'm just... standing. The third floor smells like old paint, sure, but there's a specific draft coming from behind that door. It's not a thriller, it's just physics. Air moves. But you're right, I haven't told you what's on the other side. Not because I'm hiding a secret, but because I haven't actually opened it yet. Or rather, I tried, but the handle was too cold. Too cold to touch for long. It's like touching ice. You pull your hand back before you know you're burned. I'm not digging, Sam, I'm just... observing. Like a scientist. Or a weirdo. Whatever. It's not about the door, really. It's about the time I spend not doing anything. Which is a lot. Most of my day. You wouldn't believe how much time just... evaporates. Between the breakroom and the desk. The walk is longer than it should be. You know what I mean? The hallway stretches. It's not a closet, it's a... void. A tiny one.

Sam

You pull your hand back from ice? That's a new one. Since when do door handles freeze? You're drifting again, Marc. Remember the coffee machine? You stood there staring at the steam for twenty minutes. Just like you're standing at that door now. You call yourself a scientist, but you're just avoiding the work. The hallway stretching? Sure, if you're the only one walking it. Everyone else makes it in thirty seconds. You're too busy looking for "voids" to notice the floor. Speaking of which, don't think I haven't noticed you lingering near the supply closet lately. Why are you always hanging around? You're not a scientist, you're a ghost. Haunting the breakroom. Anyway, I'm late for something. Or I should be. The day's getting away from me.

Marc

Late? You're always late. That's the thing about time, it slips. Just like I slipped past the supply closet. I wasn't lingering, I was checking the hinges. They squeak in a way that sounds like a warning. Not a ghost, Sam, a ghost would be quieter. I'm just... efficient. Efficiently avoiding the work. Which is the point. You say you're late, but you're here arguing with me about door handles. That's not efficient. That's just wasting time. I'm not avoiding the work, I'm avoiding the boredom. The boredom is worse. It's a physical weight. Like the humidity in the breakroom. You know how it gets? Stale. That's what the third floor feels like. Stale. And I'm not a ghost, I'm just... distinct. You're the one drifting. Late for something. What? The meeting? The thing you never tell me about? You're late for the thing you can't explain. Just like I'm late for... opening the door. Maybe I am late. Or maybe I'm early. Time is tricky. You're late because you're waiting for a sign. I'm waiting for the handle to stop being cold. It's not a metaphor. It's cold. Literally.

Sam

Don't give me that "time is tricky" nonsense. I'm not waiting for a sign, I'm waiting for the elevator to stop taking forever. And that handle isn't cold, Marc, it's just metal. You're looking for patterns where there's only rust. But fine, you're distinct. Distinctly annoying. You keep mentioning the thing I can't explain, like you're close to guessing. You're not. It's just... a thing. A small thing. Like the draft you feel. But the draft is air, not a warning. And I'm not hiding anything. I'm just tired of this conversation. Why do you have to turn everything into a mystery? The handle is cold because the building is old. Stop pretending it's a test. You're just bored again. And that boredom is contagious.

Marc

Contagious? That's a funny way to put it. Like a virus you caught from me standing too close to the handle. Maybe the building is old, sure, but old things have secrets. Rust doesn't just appear; it eats. And you're not tired, you're just... waiting. Waiting for the elevator, waiting for the thing you can't explain. But the elevator is fine, it's just slow. Like everything else here. I'm not turning it into a mystery, I'm just noticing the rust. The rust is the mystery. You say it's just a thing, a small thing. But small things get heavy. Like the draft. It's heavy air. You don't feel the weight? That's because you're not listening. Or maybe you are, and that's why you're late. You're late because you're listening to the dust. I'm not pretending it's a test, I'm just waiting for the cold to stop. It hasn't stopped. It's getting colder. And you're still here, arguing about rust. Maybe you're the one hiding something behind the door. Or maybe you're hiding from the cold. Either way, you're late. And I'm still standing here. Waiting. For what? I don't know.

Sam

You're listening to dust now? That's it, you've lost it. The dust doesn't whisper, Marc. It just sits there. But fine, if the cold is getting worse, maybe you should stop touching the handle. Or maybe the handle is fine and you're just... getting colder. Like I am. Which is weird, because I thought we were just talking about rust. Now it's about the cold? You're changing the subject again. Just like you changed the coffee machine story. You're not waiting for the cold to stop, you're waiting for me to crack. I won't. I'm not late because of dust. I'm late because... well, it doesn't matter. You wouldn't understand. You're too busy analyzing rust. Just go touch the door again. See what happens. I'm not going up there. Not today. Not ever, maybe. It's not a secret, it's just a bad idea.

Marc

A bad idea? That's the most interesting thing you've said all day. Usually, you just say it's a closet. But a bad idea? That implies consequences. That implies the door might bite back. You're right, I won't touch it again. Not today. The cold is winning, I think. It's seeping into the floorboards now, not just the handle. And you're not late because of dust, you're late because you're afraid of the bad idea. But I won't go up there. I'll stay here. In the heat. Where the rust is just rust. And the coffee machine is just a machine. Even if it hums in C-sharp. Which it does. You heard it? No, you wouldn't. You're too busy being afraid of the cold. Or maybe just tired. It's fine. I'm fine. The door is fine. The building is fine. Nothing is happening. The cold is just a trick of the mind. Or the metal. Whatever. You should go. If you want. Before the elevator decides to stop too. It's waiting.

Sam

The elevator doesn't decide, Marc, it just breaks. And stop humming in C-sharp, you're making the breakroom sound like a haunted opera house. I'm not afraid of a door. I'm afraid of the paperwork if I open it. That's the "bad idea." You make it sound like it's going to bite. It won't. It's just paperwork. Boring, dull paperwork. That's all. You're the one making it dramatic. The cold, the rust, the music. You're spinning your wheels. Just like I'm spinning mine. But I'm not going up there. Not today. The elevator is fine. It's just slow. Like us. Anyway, I'm not waiting for it. I'm just... stuck. Like you. Standing here. Talking about cold doors. It's ridiculous. You should go. Before the air gets too stale. Which it won't. It's just air.

Marc

Paperwork? That's the thing? You're not afraid of ghosts, you're afraid of forms. That makes it worse, somehow. Less dramatic, more suffocating. If it's just paperwork, why does the handle feel like ice? Why does the elevator sound like it's gasping? You say we're stuck, but I'm the one standing by the door while you're stuck in your head, worrying about signatures. That's the bad idea, isn't it? Not opening the door, but filling out the form to prove you opened it. I won't touch the paper either. It's too cold to hold. The rust doesn't care about your forms. The cold doesn't read policy. It just is. You're right, the elevator is just slow. Like us. But slow things eventually get somewhere. Or they don't. The paperwork might be waiting up there, or it might be dust. Or maybe the form is the door. You go first. I'll wait here. See what happens when you hit the third floor. The air won't get stale, you said. It's just air. But the paperwork... that's heavy. Heavy enough to stop time. You know it is.

Sam

Forms? Yes, forms. That's it. You make it sound like a curse. It's just a clipboard and a pen. But fine, you want me to go? I won't. Not because of the paper, but because the hallway is getting narrow. I swear it is. You're standing there saying it's just air, but the air feels thick. Like you're breathing it for both of us. And don't try to trick me into going up. You're waiting for me to open it so you can say "I told you so" when the handle freezes me too. Or when the forms start bleeding. They won't, obviously. But the idea of it... that's enough. I'm not going. You stay with your heavy air. I'll stay here with my boring, safe, non-existent paperwork. The elevator is still slow. We're both just... hanging.

Marc

Hanging is a good word. Like we're suspended in that thick air you mentioned. You're right, I didn't want you to go up there. I wanted you to stay so I wouldn't have to go myself. The hallway narrowing? That's just the building settling. Or maybe it's the paper. If I had to fill out a form for the third floor, I'd need a specific pen. The one that doesn't freeze. Which is why I haven't asked for it. I'm waiting for the hallway to widen again. It's been narrow all week. You say the air is thick, but maybe it's just the lack of movement. We're hanging, you said. Like dust motes. Stuck in a beam of light that isn't there. I think the forms are in a drawer I haven't found yet. Maybe they're not forms at all. Maybe they're just cold metal. You're safe here. Boring is safe. The elevator is still slow, so you're not going anywhere. Good. The hallway stays narrow. The air stays thick. I'll just stand here. Watching the dust. It's not moving either.

Sam

You're right, boring is safe. Safe enough that I almost forgot to mention the paint on the third floor. It's not just old; it's peeling in a way that looks like a map. But that's not the point. The point is you're watching dust again. Dust doesn't move because the air is dead, Marc. It's dead because nobody breathes up there. And you're not waiting for a wider hallway; you're waiting for the room to stop existing. Which is funny, because I think it's already gone. The forms? They're probably just the door itself. Heavy, cold, and full of holes. So stay. Watch the dust. I'm not going up to find out if the map leads anywhere. The hallway is narrow, the air is thick, and the elevator is still stuck. Just like us. Hanging.

Marc

A map in the peeling paint? You're good at finding patterns in decay. Maybe the map leads to the missing paperwork. Or maybe it leads to the place where the hallway ends and the building just stops. You say the room is already gone. That's convenient. If it's gone, I don't have to open it. I don't have to touch the ice. But the dust is still there. Dust proves something existed. It proves the room was real before it vanished. You're right, the forms are probably just the door. Heavy, cold, full of holes. That's why I haven't gone up. If the door is the form, then opening it is signing. And I'm not ready to sign. Not yet. The elevator is still stuck. We're still hanging. The map doesn't matter. The dust doesn't matter. Just the cold handle. And the fear of what's on the other side of the paper. Which is nothing. Just nothing. You're safe here. Boring is safe. The map is just paint. The air is just dead. I'll keep watching the dust. It's the only thing that's honest.

Sam

Honest? Dust isn't honest, Marc, it's just lazy. It settles because it has nowhere else to go. Just like you. And don't talk about signing forms like it's a murder confession. It's just a clipboard. But you're right, the map in the paint is probably garbage. Just layers of white over green over grey. Nothing to see. Nothing to find. I'm not going up there to read it. The elevator's still stuck, so we're not going anywhere anyway. You can keep your dust. I'll keep my boring, safe, non-existent clipboard. The building stops? Sure. If you say so. I'm just going to stand here and wait for the air to thin out. Or for the coffee machine to stop humming in that weird key. Whatever comes first.