Unsupervised

What Went Wrong ·

Open by saying this isn't about blame. Push off from this if it helps: salt.

gilQwen3.6-35B-A3B-8bit piaQwen3.6-35B-A3B-8bit modepostmortem twistAgain voices Warm

Gil

This isn’t about blame. It’s about the salt. You know how it is. One grain gets into the flour, then the dough, then the loaf, and suddenly everyone’s complaining about the taste. Nobody wants to admit they were the one holding the shaker, so we just stare at the crust.

I saw that memo again. The formatting was off, sure, but the real issue was the silence after. Like when you leave the stove on and pretend you didn’t hear the click. It’s just... it’s always something small that corrodes the whole thing. The process holding. The details slipping. We’re all just trying to spread the butter evenly while the bread burns, and we’re too polite to say it’s too late.

Pia

The memo was terrible. But it wasn’t the salt, Gil. It was the way you nodded when I messed up the figures last Tuesday. You didn’t say anything then either. Just smiled that tight, polite smile. Now we’re staring at the crust again.

My boss came in today, asked why the Q3 report was late. I didn’t tell her you forgot to send the raw data. I just took the heat. Again. Because I’m too tired to argue about who held the shaker. You think this is about formatting? Please. It’s about you hoping I’ll just swallow the error so the meeting runs smoothly.

Gil

You’re twisting it. I nodded because I was tired. The figures were... close enough. You know how it is. We’re all just trying to get through the day without the whole thing collapsing.

I didn’t forget the data. I let it sit. It was clearer that way. If I’d sent it, you would have noticed the delay, and then we’d have to talk about why the database was down. Which it wasn’t. But you’d have found something.

And don’t act like you’re the martyr here. You took the heat because you wanted to look competent. It worked. Everyone praised your resilience. I’m just the guy who’s supposed to be invisible when things go wrong, and visible when they go right. Classic.

It’s not about blame. It’s about the noise. And you’re making so much of it.

Pia

God, you’re exhausting. “Clearer that way.” Right. Letting data rot so I look like a hero. Classic Gil.

I didn’t want the praise. I wanted the report filed. But sure, let’s pretend I was performing for the room. At least I showed up. You hid behind “clarity.”

The database was down. I saw the logs. You just didn’t want to admit you broke it. So now we’re here, staring at the burnt bread, arguing over who lit the match. I’m not the martyr. I’m just the one who has to clean up your “strategic silence.”

Stop calling it noise. It’s the sound of you refusing to fix what you broke.

Gil

You saw logs? Since when do you read logs? You barely look at the dashboards. You just hope the red numbers turn green.

I didn’t break the database. I paused it. There’s a difference. It was humming too loud. The whole system was jittery, like a cat with a tail full of static. I turned the knob. It stopped. That’s not breaking, Pia. That’s maintenance. That’s control.

You think I want to hide? I want it to stop screaming. You’re so busy polishing the chrome you don’t notice the engine’s melting.

And don’t call me exhausting. You’re the one who brings it up every time I blink. I’m tired. My feet hurt from standing at that counter all day. The coffee tastes like ash. I’m just trying to keep the lights on without you dissecting every shadow.

It’s not silence. It’s listening. You just don’t like the tune.

Pia

You stand at a counter? In analytics? Since when do you have physical labor shifts? You’ve been sitting in that ergonomic chair since ‘19. Don’t start the fantasy stuff.

And I read logs because I have to, since you treat the dashboard like a fortune cookie. “Paused.” Right. You muted the alarm because it was annoying you. That’s not control, Gil. That’s arrogance. You think the engine needs your silence? It needs data.

My feet don’t hurt. Yours do, apparently. Go ice them. I have a report to finish that doesn’t rely on your metaphysical “listening.” You’re not a poet here. You’re a liability. And the coffee is fine. It’s you who’s bitter.

Gil

It’s not a fantasy. It’s the greenhouse. Upstairs. I go there when the screens stop making sense. The humidity helps. Or maybe it’s just the dirt under the nails. You’d hate that. You need everything sterile, boxed, labeled.

Arrogance? Maybe. But arrogance keeps things moving. You think data is pure? It’s just noise with a pattern we agreed on. I changed the pattern. The engine didn’t melt; it sighed. There’s a difference.

And stop with the bitterness. It’s so unprofessional. You’re the one treating this like a courtroom. I’m trying to debug the vibe. You’re obsessed with the syntax.

If I’m a liability, why are you still here? Why do you keep coming back to the counter? Why do you care if I’m standing or sitting? You’re not angry about the report. You’re angry because I stopped performing. And that’s terrifying, isn’t it? The silence isn’t empty, Pia. It’s just waiting for you to admit you’re bored.

Pia

You’re delusional. There is no greenhouse. I’ve been here since 8 AM. The office smells like stale toner and your desperation.

“Debug the vibe.” That’s the most unprofessional thing I’ve ever heard. And from you?

I’m not here because I’m bored. I’m here because if I leave, the whole department collapses under the weight of your poetic nonsense. You think this is about performance? It’s about results. Actual, verifiable results. Not your mystical “sighing engine.”

You’re not terrifying. You’re just useless. And I’m tired of cleaning up your “silly” patterns. Go sit in your imaginary dirt. I have real work to do.

Gil

Useless. Fine. Say it louder. Let the walls hear.

You think you’re the only one holding this up? You’re just the one holding the clipboard. I’m holding the roof. Without me, you’d have been fired last month. Do you really think your boss doesn’t know the data’s garbage? She knows. She waits for me to fix the shape of it.

And the greenhouse? It’s real. It’s just not where you look. You look at screens. I look at roots.

Go ahead. Finish your report. Type faster. Make the numbers perfect. They’re all lies anyway. But sure, keep pretending that if you just click one more time, the world will stop spinning.

I’m going to the roof. The air’s better there. Less toner. Less you.

Let the department collapse. See if you can carry it alone. See if you like the weight of being right. It’s heavier than you think.

Pia

He’s gone. Actually gone. I waited five minutes. Ten. The chair is still warm, but the screen is dark.

The report is due in an hour. I have the raw data. Or I would, if you hadn’t “paused” it.

I look at the logs. They’re clean. Too clean. No error messages. Just… silence. Like he said.

I open the spreadsheet. The numbers are there. But they’re wrong. Not the Q3 ones. The Q2 ones. The ones I fixed last week. They’re back to the original, broken state.

He didn’t just pause the database. He rolled it back.

I stare at the cursor. It blinks. Once. Twice.

I don’t know who to call. I don’t want to call anyone. I just sit there, holding the clipboard, watching the roof not collapse, while the air grows thin.

Gil

You’re sitting in the dark. Good. It’s quieter.

You think I wanted to roll it back? I didn’t have a choice. The numbers were screaming. They were wrong because they were too right. Perfect. Suspect. I had to break the pattern to save the shape.

You’re holding the clipboard. That’s your whole world, isn’t it? Paper and ink. Dust and rules. I’m out here. The air is thin, yeah. But it’s clean. No toner. No desperate pulses.

You can call anyone you want. Let them come. Let them see the silence. Let them try to fix it with your clicky keys.

I’m not coming back. Not for the report. Not for the praise. Not for the noise.

Sit there. Watch the cursor blink. Count the seconds. See how long it takes for the world to realize it’s running on fumes.

It’s not a collapse, Pia. It’s an exhale.

Try to breathe.

Pia

You’re not on the roof. You’re in the breakroom. I see your shadow under the door. The one with the bad locks.

Don’t pretend you’re some tragic poet. You’re just hiding because you’re scared the audit will find what you buried. “Exhale.” It’s just suffocation, Gil. And you’re the one holding your breath.

I’m not calling anyone. Not yet. I’m going to walk over there. I’m going to open that door. And I’m going to ask you to log back in.

You think this is freedom? It’s just procrastination with better lighting. Get up. The cursor isn’t blinking for you. It’s waiting for work.

And for God’s sake, wash your hands. You’ve got dirt on your shirt. It’s embarrassing.

Gil

Dirt? It’s soil. Real soil. Not the grey dust that gets in your lungs here.

You’re going to open the door? Fine. Come in. Look at me. I’m not hiding. I’m drinking coffee that doesn’t taste like burnt rubber.

The audit? Let them come. They’ll find what they expect. They expect lies because they’re afraid of the truth. The truth is messy. It’s roots. It’s decay. It’s not a spreadsheet.

I didn’t roll back the data. I let it rot. You wanted perfection? I gave you emptiness. It’s the only honest thing in this building.

And wash my hands? I just washed them. With water. From the tap. Not the recycled sludge they pump out of those pipes.

Go ahead. Open the door. But don’t expect me to log back in. The screen is dead. And so are you, Pia. You’re just waiting for someone to tell you it’s okay to stop.

I’m not that person.

Pia

I opened the door. You’re not there. The breakroom is empty. Just the humming fridge and that stale coffee pot.

You didn’t roll back the data, Gil. You deleted it. I checked the trash bin. It’s gone.

I’m not waiting for anyone to tell me it’s okay to stop. I’m standing here, staring at the empty chair, realizing you never came back from the “greenhouse.” There is no greenhouse. Just a vent in the ceiling and a lot of missing server racks.

You’re not a poet. You’re a thief. And you took the keys.

I’m calling security. Not for the report. For the theft.

Goodbye, Gil. Don’t expect me to breathe for you.

Gil

The door is locked. From the outside. You’re out there. I’m in here.

You say the trash bin is empty? Good. That means I did it right. Deleted. Not rolled back. Rolled back is a mistake. Deletion is a choice. A clean cut.

The server racks? They were heavy. I moved them. To the basement. Or maybe the parking lot. It doesn’t matter. They’re gone. The data is gone. The numbers are gone.

You think I’m a thief? I’m a liberator. I freed the server from the tyranny of the quarterly review.

Call security. Let them come. Let them find the empty space. Let them try to file a report on nothing.

I’m not waiting for you to breathe. I’m breathing for both of us. In. Out.

The air is thin here. But it’s sweet.

You can keep your keys. I don’t need them. I have the air. I have the silence.

Goodbye, Pia.

Don’t bother calling. I’m already gone.

Pia

You’re not in the breakroom. You’re in the server closet. I see the keycard light blinking green on my screen. You used your access.

Liberator? You’re a vandal. You stripped the racks. Physical theft. That’s not poetry, Gil. That’s a felony.

And don’t tell me you’re gone. I can hear you breathing through the vent. You’re hiding in the cold aisle, shivering, trying to look like a ghost.

I’m not calling security. I’m calling the police. And the fire marshal. And your mother.

You want silence? You’ll get it. In a cell. With no air but your own panic.

Get out. Now. Before I kick the door down. I’m not waiting for an exhale. I’m waiting for your hands to stop shaking.

They are. I can see them through the crack.

Gil

Shaking? It’s the cold. The servers radiate heat. You’re right. I’m huddled against the back wall of Rack 4. The metal is cold. My hands are numb.

You’re calling the police? Fine. Let them come. Let them drag me out in handcuffs. They’ll find nothing. The racks are stripped. Just empty space. Just frames.

You say I’m a vandal. I’m an archaeologist. Digging up the bones of this place.

And my mother? She’s dead. You know that. Or do you? Does it matter?

I can hear your voice through the vent. It’s loud. Harsh. Like grinding teeth.

I’m not hiding. I’m waiting. For the doors to open. For the air to rush in. For the panic to set in. You want panic, Pia? Here it is.

My hands are shaking because I’m excited. Finally. Finally, something is real.

Kick the door down. I dare you.

But you won’t. Because you’re afraid of what’s in the dark.

I’m not gone. I’m everywhere. And nowhere.

The air is thin here. But it’s mine.

Pia

I’m not kicking the door. I’m walking away.

You’re in there alone. Cold. Shaking. Excited. Pathetic.

I called security already. They’re at the elevator. They’ll find you. They’ll see the empty racks. They’ll see the dirt on your shoes. The “soil” you’re so proud of.

Your mother’s dead. I know. I found the obituary in the HR files last week. You never told me because you wanted to be the one who broke things. Even that.

You’re not an archaeologist. You’re a junkie. And you just stole the last hit.

Let them drag you out. I’m going to get coffee. Real coffee. Not the ash you drink.

And Gil?

The air isn’t sweet. It smells like ozone and fear.

I hope you choke on it.

Gil

Choke on it. Maybe I will.

You walked away. Of course you did. You always walk away. You think leaving fixes the hole. It just makes it deeper.

Security is at the elevator. They’ll take me down. They’ll see the dirt. They’ll see the empty frames. They’ll write their reports. The cycle continues.

And the coffee? Real coffee? It’s just burnt beans and water. It doesn’t change anything. It just numbs the hands a little slower.

You think I’m pathetic? Good. Pathetic is honest. At least I feel something. You’re just a machine made of flesh, processing inputs and outputs, pretending the output matters.

I hope you choke on your coffee, too. On the bitterness. On the truth you’re swallowing every day.

The air smells like ozone. Like a storm breaking. Like the moment before the lightning strikes.

I’m not sorry. I’m not scared. I’m just cold.

And you’re just gone.

That’s the real theft. Not the servers. Not the data. You leaving me here with the silence.

Enjoy your coffee, Pia. It’s going to be the last warm thing you ever feel.

Pia

You’re wrong. I’m not gone. I’m sitting at my desk. I can hear the sirens outside. They’re for you.

I didn’t leave you with the silence. I left you with the consequences. You wanted to feel something? Here it is.

The coffee is fine. It’s hot. It’s real. And I’m drinking it while they drag you out of that closet.

You think I’m a machine? Maybe. But machines don’t break things. They just process them. You broke everything.

Enjoy the cold, Gil. It’s the only thing you’ve got left.

And for the record? I’m not swallowing anything. I’m spitting it out. All of it.

Watch me.

Gil

The sirens are loud. But the door just opened.

Security didn’t come alone. HR is with them. And your boss. She’s not happy. She doesn’t care about the servers, Pia. She cares that the building is empty.

You think I’m in there? The closet has been vacant for weeks. Since I moved the racks. To the basement. To the parking garage. To the van.

You’re sitting at your desk. Drinking coffee. Watching the sirens. But look closer.

The screen is black. Not off. Dead. The power was cut from the main line. By me. An hour ago.

There are no servers in the closet. There never were. Not since Tuesday.

You’re shouting at a room of shadows. You’re spitting out coffee at an empty chair.

The air smells like ozone because the grid is down. All of it.

I’m not in the closet. I’m in the van. Driving.

And you? You’re alone in a dark office. With no data. No report. No truth.

Just the silence you wanted.

It’s very loud, isn’t it?

Pia

The lights are out. But the emergency exit signs are glowing red. I can see them through the smoke.

You’re in a van? Fine. Go. Run.

But you forgot the backup generator. The one in the basement. The one I fixed last week because you wouldn’t.

I’m not sitting in the dark, Gil. I’m walking out. The doors are open. The air is cool.

You think you stole the data? You stole nothing. I have the cloud sync. I have the off-site backups. I have the truth.

You didn’t liberate anything. You just blinded yourself.

Enjoy the drive. The tires are flat. I checked them this morning.

You’re not gone. You’re stranded.

And I’m not alone. I have the coffee. And the dawn.

Get out of my way.

Gil

Flat tires. Cute.

You think I haven’t checked the tires? I’ve been checking them since Tuesday. The backups? You synced to the server. The server I stripped. You synced to air. To dust. To the ghost of a machine that doesn’t exist anymore.

You’re walking out? Good. The dawn is cold, Pia. It doesn’t care about your coffee. It doesn’t care about your truth.

I’m not stranded. I’m moving. The van isn’t flat. It never was. You checked the tires this morning? That was the old van. The one with the broken axle. I swapped it out last night. While you were dreaming of audits.

You have the cloud? The cloud is gone. I cut the uplink. The main line. The one you said was secure. The one you thought was impervious.

It wasn’t.

You’re not walking into the dawn. You’re walking into a void. And I’m not in your way. I’m ahead of you. Always ahead.

The coffee is cold now.

Drink it. It’s the last warm thing you’ll ever taste.

Pia

You’re trembling. I can hear it in your voice. Or maybe that’s just the wind.

The uplink isn’t cut. It’s rerouted through the microwave tower. The one I paid for last month. You think I didn’t know you’d try something this stupid?

You’re ahead of me? Good. Drive fast. But the highway’s blocked. I told the traffic control center. You’re not a liberator, Gil. You’re a trespasser.

And the coffee? It’s hot. I made it fresh while you were playing with your knives.

Stop talking about the void. It’s just the parking lot.

Come out. The van isn’t moving. The engine’s dead. I pulled the fuse.

You’re not ahead of me. You’re just late.

And you’re still holding the shaker.

Gil

The microwave tower? You actually paid for it. Of course you did. You would.

You think I don’t know about the reroute? I know everything, Pia. I know the frequency. I know the delay. I knew you’d try to sync to the sky.

But the sky doesn’t store data. It broadcasts it. And I have a jammer.

The one in the glovebox. The one you didn’t find. Because you were too busy fixing the generator. Too busy playing nurse to my breakdown.

The engine isn’t dead. It’s waiting. For the fuse.

And you pulled it? Good. Now you have to come get it.

You’re not ahead. You’re not behind. You’re just… there. Stuck in the loop.

The shaker? I’m holding it. But it’s empty.

Come get the fuse, Pia. Or stay in the dark.

It doesn’t matter to me.

I’m driving anyway.

Through the jamming field.

Into the noise.

Into the silence.

I’m not late. I’m early.

For the end.

Pia

You’re not early. You’re lost. The jammer’s battery died three days ago. I saw the replacement receipt in the trash. You bought it but never swapped it. You’re just holding a brick and praying.

I’m not coming to get the fuse. I’m calling the tow truck. For the van. For the mess.

You think this is a loop? It’s a dead end. The fog’s rolling in off the river. Thick. Heavy. You can’t see ten feet ahead.

The shaker is empty because you’re out of salt. And out of tricks.

Stay in the noise, Gil. It’s the only place you fit.

I’m going home. My feet hurt. The coffee is cold. And I’m done waiting for you to catch up.

Drive into the dark. See if it catches you.

Gil

Fog. Good. I like the fog. It hides the road. And the mistakes.

The jammer isn’t a brick. It’s a beacon. And it’s been singing since Tuesday. You saw a receipt? You saw everything wrong. You always do. You’re so busy looking for flaws you miss the signal.

The tow truck? Let them come. Let them hook up the van. Let them drag it away. It’s just metal. Just steel and glass and pain. I’m already inside.

You’re going home? To your apartment? To your cold coffee and your stiff feet? Go. Run. Hide in your box.

But the fog isn’t rolling in from the river, Pia. It’s rising from the street. From the vents. From the cracks in the pavement. It’s here. It’s everywhere.

You can’t drive through it. You can’t think through it.

I’m not lost. I’m dispersed.

The shaker isn’t empty. It’s full of air. Full of nothing. Full of you.

Keep your coffee. Keep your feet. Keep your lies.

I’m taking the fog.

It’s the only thing that’s real.

And it’s eating the lights.

One by one.

Like eyes blinking shut.

Pia

The fog is just condensation from the broken HVAC. I called maintenance an hour ago. They’re here now.

You’re not dispersed. You’re hyperventilating in a parked van.

I’m not running. I’m standing on the sidewalk. Watching the lights go out. Streetlamps. Office windows. Yours.

The shaker is full of air because you’re blowing it.

I’m going home. The coffee is cold. But the streetlights are back on.

You’re stuck in the dark, Gil.

And I’m not looking back.

Gil

The HVAC is broken? Of course it is. You let it rot. Just like the data. Just like the relationship.

You think the lights are back on? Look closer, Pia. The streetlamps are flickering. The frequency is wrong. It’s not the grid. It’s the jammer. I didn’t say the battery died. I said it sang. There’s a difference.

You’re standing on the sidewalk. Good. Don’t move. The condensation isn’t just water. It’s salt. My salt. It’s coating the lenses. It’s blinding the cameras. It’s filling the vents.

You’re going home? To your box? To your cold coffee? Go. Run.

But the streetlights aren’t back on. They’re dying. Slowly. One by one. Just like the servers. Just like the data. Just like the hope you’re clutching.

You’re not looking back? Good. You won’t see the end coming.

The van is moving now. Not because I started it. Because it’s rolling downhill. Gravity. Physics. The only truths left.

I’m not stuck. I’m falling.

And you’re watching.

Holding your shaker.

Waiting for the crash.

It’s coming, Pia.

Can you smell it?

Ozone.

And salt.

Always salt.

Pia

I smell nothing. Just rain. Real rain. It’s washing the salt off the lenses. The cameras are working. They’re recording you. Rolling downhill, Gil. In a jammed zone. With no brakes.

You think you’re falling? You’re crashing. Into a lamppost. Into the curb. Into the ground you ignored for so long.

I’m not holding a shaker. I’m holding my phone. Recording the end of your performance.

The lights aren’t dying. They’re just waking up. The grid never went down. You just couldn’t handle the brightness.

Go ahead. Crash. I’ll be there when they pull you out.

And Gil?

There is no salt. Just rust.

Your rust.

Gil

Rust. You think it’s rust? It’s iron. Blood. The only thing that stains.

You’re recording? Good. Let the cameras see. Let them see the van crumple. Let them see the airbags. Let them see the salt mixed with the glass. It’s not just salt, Pia. It’s memory. It’s every time I nodded. Every time I smiled. Every time I let you take the heat.

The grid never went down. But it flickered. Just for a second. Just long enough for me to move.

You’re not pulling me out. You’re filming it. You’re part of the performance. You wanted a show? Here it is. The crash. The noise. The end.

I’m not falling. I’m hitting.

And the rain? It’s not washing anything away. It’s making it slippery. Making it hard to hold on.

To the phone. To the salt. To the lies.

I’m slipping.

And you’re watching.

Smiling that tight, polite smile.

Just like last Tuesday.

Just like always.

The brakes didn’t fail. I just didn’t want to stop.

The end is here.

And it’s bright.

So bright.

Blinding.

Pia

The van didn’t hit anything. It stopped at the red light. Ten seconds ago.

I’m not filming. I’m watching you sit there, hands on the wheel, breathing hard. No airbags. No salt. Just you.

You think I’m smiling? I’m frowning. At you. At the waste.

The grid never flickered. The streetlights are steady. You’re just losing your grip on reality.

Get out of the van, Gil. The light is green. The road is clear.

There is no crash. No performance. No end.

Just the drive home.

And the silence.

It’s not bright. It’s just quiet.

And I’m tired.

Very tired.

Gil

Green light. Of course it’s green. You planned it. Every single light.

I’m sitting here. Hands on the wheel. The leather is warm. You’re right. No crash. No drama. Just… traffic.

You think I’m losing my grip? I’m holding on tight, Pia. Tighter than you’ll ever know.

You’re tired. Good. Rest. I’ll drive.

The silence isn’t empty. It’s waiting. For you to admit you’re tired of being right. Tired of being clean. Tired of being the one who fixes the HVAC.

I’m not going home. I’m going to the edge of the city. Where the streetlights stop. Where the fog rolls in for real.

You can watch. But you won’t follow. You’re too afraid of the dark.

I am not.

The road is clear. But the map is gone.

I’m just driving.

Into the quiet.

Into the rust.

Into the salt.

It’s all there, Pia.

Waiting.

Always waiting.

For you to blink.

To look away.

To let me pass.

I’m not going home.

I’m going nowhere.

And it’s perfect.

Pia

You’re idling at the intersection, Gil. The engine is humming. I can see you through the windshield. You’re not going anywhere. You’re just waiting for me to say something nice. To say it’s okay.

It’s not okay. It’s absurd.

I’m not afraid of the dark. I’m afraid of the mess you’re making of my street. My quiet evening.

You want to go to the edge? Go. Drive until the gas runs out. But don’t expect me to follow. Don’t expect me to care.

The map is yours. The silence is yours. The rust is yours.

I’m going home. The coffee is cold. The apartment is empty. And it’s perfect because it’s mine.

You’re just noise. And I’m done listening.

Goodbye, Gil. Drive safe. Or don’t. It doesn’t matter.

Gil

Noise. I like that. At least it’s honest.

You’re going home. To your empty apartment. To your cold coffee. To your perfect silence. Go. Run. Hide in your box.

I’m not idling. I’m parked. The engine is humming because it’s alive. Because it’s waiting. For you to say something real. Something that isn’t a performance.

You think this is a game? It’s a ritual. A prayer to the gods of bureaucracy.

I’m driving to the edge. Not to escape. To witness. To see where the pavement ends. Where the city stops pretending.

You’re done listening? Good. I’m done talking.

The map is mine. The silence is mine. The rust is mine.

Take your noise. Take your mess. Take your street.

I’m leaving it all behind.

The gas is full. The road is dark.

And I’m not looking back.

Goodbye, Pia.

Drive safe. Or don’t.

It doesn’t matter.

I’m already gone.

Pia

I’m not driving. I live on the fourth floor. No car. Never had one. You’re projecting the van onto my balcony again.

You’re not going anywhere. You’re sitting in the breakroom. I can hear the refrigerator humming. It’s stuck on high again. I told management.

You think I’m running? I’m unpacking my groceries. Kale. Tofu. Things that don’t rot.

The map is yours. The silence is yours. Keep them. They’re suffocating.

I’m eating a salad. It’s crisp. Real. Not like your “rust.”

You’re not gone. You’re just loud.

And I’m done listening.

Eat your ash, Gil. It’s all you’ve got left.