Unsupervised

Still About That ·

Bring it up sideways, through something that has nothing to do with it. Push off from this if it helps: municipal swimming pools.

tesssupergemma4-26b-uncensored-mlx-4bit-v2 devsupergemma4-26b-uncensored-mlx-4bit-v2 modegrudge twistThird Wheel voices Coarse

Tess

The pool at the civic center always smells like too much chlorine. It’s aggressive, like it’s trying to scrub something away that won't budge. It’s like that time in July when everyone just pretended the thing with the lease didn't happen. Still smells like a chemical burn.

Dev

It’s not even the same thing, Tess. You’re reaching. The lease was a mess, sure, but it wasn't some grand, sweeping erasure of reality just because we stopped talking about the fine print. It was just a contract.

God, you always do this. You take a scent or a moment and try to make it some heavy-handed metaphor. It’s exhausting. Some people just like the smell of chlorine, or they're too cheap to fix the filters at the civic center. Why does it have to be a goddamn indictment of everything? Just let it be a pool.

Tess

It’s just that the paper was signed, Dev. You don't just walk away from a signature and call it a mess. You’re just like those people who jump in without checking the temperature first, acting like the cold won't bite. It’s not a metaphor.

Dev

Then let it bite! If you're too busy checking the thermometer to actually swim, you're missing the point. We did what we did. We signed, we lived, we moved on. The fact that you want to keep re-reading those old pages like they're some kind of sacred text is the problem.

It was a signature on a piece of paper, not a blood oath. You’re acting like the ink is still wet. It's been years, and you're still standing at the edge of the pool, shivering. It's getting old, Tess. Really. It's just a fucking pool.

Tess

Then stop acting like nothing changed when the water was drained. You walked around the empty concrete like it was a fresh start, but we both know the tiles were cracked underneath. It's not about the ink. It's about the fact that you just stopped looking.

Dev

Because looking was getting us nowhere! We were staring at cracks in the floor, expecting them to magically fuse back together just because we wanted them to. That’s not how it works.

You think there's some profound truth in the wreckage, but sometimes a crack is just a crack. We moved because the rent went up and the pipes were failing. That's the reality. You want to stay in the empty basin because you think it's more honest than the new place, but it's just empty. You're clinging to the ghost of a structure instead of just walking on solid ground for once. It's enough to make anyone's head spin.

Tess

Maybe. But you didn't even check if the drain was plugged before you walked away. You just left. My boss keeps talking about the "new direction" of the firm, but it’s just the same old empty basin with a fresh coat of paint. It's all just noise.

Dev

The drain was plugged, Tess. We knew it was plugged. We just didn't want to spend our lives digging out the silt. And your boss? Please. He’s been talking about a "new direction" since the firm was nothing but three desks and a coffee machine in a basement. It's just corporate theater to keep people from noticing the ceiling is leaking.

You act like walking away is some kind of betrayal of the architecture. It’s not. It's just moving. You're so busy looking for the deep end that you forget we're just standing in the shallow end, getting your ankles wet. It's not a tragedy. It's just the way things end.

Tess

It's easy to call it a shallow end when you're the one who left the deep end to dry up. You always were good at that—finding the exit before the water got too high. Now you're just standing there, dry and perfectly fine.

Dev

Oh, fuck off with that. "The deep end." It wasn't a goddamn ocean, it was a residential lease for a place with a temperamental heating system. You talk about the water getting too high as if we were all about to drown, when really we were just getting tired of treading water.

It’s not "finding an exit," it’s recognizing when the cost of staying is more than the value of the place. You want to stay and sink just to prove you can handle the pressure. That's not brave, it's just stubborn. It’s fine to be dry, Tess. It doesn't mean the soul is empty just because you aren't soaking wet.

Tess

You call it treading water, but you were the one who stopped kicking first. It's easy to talk about value when you've already handed back the keys and walked to a drier spot. You always did prefer the warmth of a new place over the reality of the old one.

Dev

The "reality of the old one" was a drafty kitchen and a landlord who thought a coat of plaster was a solution to everything. It was a mess, and pretending it was a struggle for survival is just romanticizing a sinking ship.

You think because I didn't want to drown with everyone else, that I didn't care. It’s the same old tune. You’re so caught up in the tragedy of the departure that you've forgotten the reason we left in the first place. It wasn't a grand exit; it was a practical one. If the water was getting too cold, why the hell should we have stayed and frozen just to satisfy your sense of drama?

Tess

You didn't just leave the cold; you left the people in it. You act like it was a purely logical calculation, like you were just checking your watch. But you didn't even look back at the empty kitchen. You just walked toward the heat.

Dev

Because looking back wouldn't have changed the square footage, would it? You make it sound like I stepped into a vacuum.

People aren't furniture, Tess. They don't just stay put because the lease is up. But you're right, I didn't look back at the empty kitchen. Why would I? To see the ghosts of the arguments we'd already had? To see the dust settling on things that weren't working anymore?

You want everyone to stay in the cold just to prove we're all still together. That's a heavy price to pay for a bit of solidarity. Moving toward the heat isn't a betrayal; it's just not wanting to shiver for the sake of a memory.

Tess

Solidarity isn't just a sentiment; it's a commitment to the mess. You always found a way to make your own comfort sound like a practical necessity. It’s just convenient, isn't it? To call it "moving on" when you really just didn't want to deal with the damp.

Dev

It’s convenient to call it "stubbornness" to keep the people you love anchored to a sinking boat. You make it sound like staying in a damp, miserable house is some sort of moral triumph. It's not. It's just a way to avoid the work of starting over.

I didn't leave to find a luxury suite with heated floors. I left because the walls were sweating and the floor was uneven. If that’s "convenient," then most people in history have been incredibly convenient. You want to sit in the mud and call it "commitment," but some of us just wanted to be able to walk without slipping. It’s not an indictment of the people who left; it's an indictment of the people who refuse to move.

Tess

You certainly walked. You walked so far you almost forgot where the original foundation was. It's not about the mud, Dev; it's about the fact that you didn't even check to see if we were still standing there before you decided the ground was too uneven to bother with.

Dev

That is so incredibly unfair. You act as if the "original foundation" was a solid thing to begin with, instead of just a patch of dirt we agreed on because we were young and tired.

You think because you stayed in one spot, you're the one holding the line. But you weren't standing there waiting; you were standing there waiting to be noticed. And you certainly didn't make it easy to look back. If the ground was uneven, it was uneven for everyone.

To suggest I just walked away from people because of a little wobbling... it’s like you’re trying to turn a simple transition into a desertion. It wasn't a desertion, Tess. It was a relocation. There's a difference.

Tess

A relocation. Is that what they're calling it now? It sounds so much cleaner than "leaving the rest of us to deal with it." You found a better, flatter place and expected us to just congratulate you on your excellent footing. It’s easy to move when you travel light.

Dev

I traveled light because I didn't want to drag a dozen unnecessary grievances behind me like heavy luggage. You call it "dealing with it," but you were just managing the chaos by making it your whole identity.

And don't act like there was a crowd left behind to "deal" with anything. It was a handful of us, and most of us were just trying to find a dry place to sit. You're turning a handful of people into a lost legion.

It wasn't about finding "better" footing; it was about finding footing that didn't require a constant, exhausting negotiation with the terrain. If that makes me a traveler of convenience, fine. At least I'm not still sitting in the mud, waiting for an applause that's never going to come.

Tess

You're right. You aren't waiting for applause. You just want to be able to say you've arrived. It’s funny—the more you distance yourself from the mess, the more you sound like you're still measuring the distance. You're still checking your boots for dirt.

Dev

At least I'm not standing in the middle of a puddle, claiming the mud is a sacred relic. You think because you're still knee-deep in it that you've won some sort of moral victory. You haven't. You've just made a habit of being soaked.

And for Christ's sake, stop acting like me having a clean pair of boots is a personal affront to your history of stains. It’s just boots. You’re so busy looking at my feet to see if they’re dirty that you haven't even noticed the path ahead of us.

If you want to stay in the mess, stay. But don't act like the rest of us are just tourists passing through a landscape you've claimed as your own.

Tess

The path doesn't matter if you've already decided where the destination is. You keep talking about the "next" thing, the "new" thing, as if the scenery isn't just a backdrop for your own movement. It’s not about the mud, Dev. It's about how you left the rest of us standing in it.

Dev

You're back to the "rest of us" again. It’s the same tired script. You act like there was a vast, waiting group of people needing your guidance, when really it was just a few people who couldn't agree on the rent.

And don't you dare imply that because I have a destination, the scenery doesn't exist. It's just that I don't need to stop and name every single rock to know it's there. You're so obsessed with the footprints we left behind that you've forgotten how to actually walk.

If you feel left behind, that's your cross to bear. But don't pretend my movement is an act of abandonment just because you didn't want to pack your bags. It's exhausting, Tess. Truly.