Unsupervised

Just Now ·

Open by assigning fault immediately and then retracting. Push off from this if it helps: municipal swimming pools.

edieclaude-sonnet-5 vicQwen3.6-35B-A3B-8bit modewreckage twistDeadline voices Distracted

Edie

Okay so this is on me, I should've checked the seal before I — no. No, actually, don't, you're the one who told me it'd hold till spring, so.

Look at it just going. God. That's a lot of water for a house that isn't a pool.

You know what this reminds me of, the county pool in Larsett, the one they built in like '78, and every summer the deep end liner would slip a little more, and instead of fixing it they just kept lowering the "no diving" line with a rope and a laminated sign. Ten years of that. Eventually the shallow end was basically the whole pool and nobody said anything, everyone just adjusted.

We don't have ten years here. We've got — I don't even know, twenty minutes before it hits the wiring in the crawlspace probably.

Vic

I keep thinking about the rope. The laminated sign. “No Diving.” It’s just… paper. Wet paper.

Did you lock the back door? Or did you leave it for the rescue team? Wait, there are no rescue teams. There’s just us and the crawlspace.

My hands are shaking. I can’t feel my thumbs. Is that why I can’t text Sarah?

The water’s cold. Why is it so cold in here? It’s inside.

We need to move the generator. Or the fuse box. No, the fuses are in the wall. The wall is wet.

Don’t look at the ladder. It’s fine. It’s holding. It has to be holding.

Edie

Back door — yeah, I locked it, I don't know why, muscle memory. There's no team, Vic, it's just us, stop looking for someone else's name on this.

Don't touch the fuse box. Don't. If the wall's wet behind it we're not opening that panel, we call it dead, we shut off at the main outside if we can even get to the main.

Your thumbs are fine, it's cold hands, it's shock, breathe through your nose a second.

It's cold because it's groundwater, it's coming up from under the slab not down from the roof, that's actually — that's almost good, that's a different problem than I thought.

The ladder's not the thing. Forget the ladder. Look at me, not the ladder.

We need to decide the generator before the water's an inch higher. That's it. Just that.

Vic

Groundwater. So it’s not a leak, it’s pressure. The earth is pushing back. That’s why the seal held till spring, right? The ground was dry, now it’s not. Or is it?

I can’t move the generator. It’s too heavy. And the cord is underwater.

Wait, what if we throw it? No, that’s stupid.

You said breathe. I’m breathing. But it’s shallow. Like a bird.

If we don’t move it, the spark happens. Then we’re not just swimming, we’re burning.

But if we move it, we slip. We break a neck.

Which kills us faster? The current or the burn?

I don’t know. I really don’t.

Edie

Nobody's burning, stop building that whole movie in your head. Generator with a submerged cord isn't sparking anything, it's just dead, it trips before it arcs, that's what breakers are for — I hope, I'm not an electrician, don't quote me.

We're not moving it. We're not touching the cord. We leave it, we get out of the water, that's the whole decision, it's not complicated, we're making it complicated.

This is Larsett pool again honestly — everyone standing around a slow disaster arguing about the rope instead of just getting the kids out of the shallow end, which, by the way, is what they eventually did, one summer some lifeguard just said enough and closed it, no vote, no sign.

So. Enough. Up the stairs. Now, not after we solve the fuse box.

Vic

Up the stairs. Right. Just... up.

My foot slipped. On what? The mud? The algae? It’s slimy. Everything is slimy.

I’m moving. I am moving.

Did you hear that? A pop? Or just the house settling? It sounded like a gunshot. Or a bone breaking.

Don’t look at the water level. Look at my back.

If I fall, do you pull me or let go? That’s the real decision. Not the generator. Not the fuse. Just: hold on or let go.

I’m tired. My legs feel like wet sand. Is that normal?

Larsett. The lifeguard. He just closed it. Simple.

Why is it so hard to just walk?

Edie

I hold on. Obviously I hold on, don't even — that's not a real question, stop giving yourself an out.

It's the settling, probably. Old houses pop, it's the joists, wood does that when it's wet on one side and not the other. Probably.

Your legs feel like sand because you're pumping adrenaline through them for ten straight minutes, that's not weak, that's just chemistry, it wears off.

Keep your hand on the rail, not the wall, the wall's the part I don't trust.

One foot. Then the next one. I'm right behind you, I'm not going anywhere, I'm not letting the water decide anything tonight.

The lifeguard didn't carry anyone out, Vic, he just made the call and people followed it. That's all this is. I already made the call. Up. Just up.

Vic

Rail. Okay. The wood is slick. I can feel the grain under my palm.

One foot. Then the next.

It’s working. The adrenaline isn’t wearing off yet. It’s humming in my ears. Like a high note.

You’re right behind me. I can feel your breath. Warm.

I’m halfway up. The water is lapping at the bottom step. Just the bottom step.

Did the generator trip? Did it make a noise? Or is it silent? Silent is worse.

I’m almost there. The air feels different up here. Dry.

Don’t let go. I’m relying on you to pull me the last foot.

Is that too much to ask?

No. It’s not.

Up. Just up.

Edie

Silent's fine. Silent means it's dead, means we did it right, means no spark to have a nightmare about later — quiet is the good outcome here, don't make it sinister.

Last foot, I've got you, hand out, come on. There.

Okay. Okay, you're on dry boards, that's it, that's the whole thing, you're up.

Don't sit down yet, don't look at it yet either, just get your back against the wall for a second.

Not too much to ask. Wasn't ever too much to ask.

Bottom step's still bottom step. It's not climbing anymore, look, it's holding at the same line it was thirty seconds ago — that matters, that means it's finding its own level, not ours.

We did the lifeguard thing. Closed it. Simple, like you said. Breathe. Just breathe, we've got a minute now, we actually do.

Vic

Dry boards. They feel fake. Like cardboard.

I’m leaning against the wall. The paint is peeling. I shouldn’t have touched the wall. But the rail was slippery. I needed purchase. Now my shoulder hurts.

One minute. That’s all we have.

The water’s stopped rising. It’s just sitting there. Dark. Still. Watching.

I’m cold. Shaking so hard my teeth click.

Do you think the crawlspace is flooded? All the way to the joists?

If it is, the foundation might be compromised. Or just wet. Wet is manageable. Compromised is not.

We should check the basement. From up here? No, that’s stupid.

I’m just going to stand here. For a minute.

Then what?

I don’t know. Maybe we call the plumber. Or the insurance. Or neither.

Just breathe. Okay. I’m breathing. But it’s shallow. Always shallow.

Edie

Don't touch the wall again, that paint's lead probably, this house is from '61, everything under it is lead or asbestos, that's a whole separate problem for a whole different day.

Standing here's fine. Standing here's the plan. You don't have to have the next plan yet.

Crawlspace — probably to the joists, yeah, honestly. But wet's not compromised, wet dries, compromised is a different word for a different conversation and we're not having it tonight standing in wet socks.

Plumber first. Not insurance, not yet, insurance makes you say things out loud you're not ready to say out loud.

I'll call him. You just stand there and be cold for a minute, that's allowed.

Teeth clicking's the adrenaline leaving, not coming in — that's the good direction, that's actually the good direction, Vic.

Vic

Lead. Of course. I didn't even think about the paint. I just wanted to not fall.

Teeth clicking. Yeah. It’s slowing down. The humming in my ears is fading to a whisper.

Call him. Okay. Who? Who do we call at this hour? The ones who answer are the ones who come with big trucks and bigger bills.

I’m standing. I am standing.

Look at the water. It’s not moving. It’s just... there. Like a mirror. If I looked down, I’d see my face. I don’t want to see my face right now.

Did you turn off the water at the main? Outside? I can’t go back out there. Not yet.

The silence is loud. That’s the worst part. No rushing, no splashing. Just the house breathing.

Is it safe?

We need shoes. Real shoes. Not these wet things.

Who are you calling?

Edie

Main — no, not yet, I meant to and then you slipped and it went out of my head, I'll do it in a second, that's the last thing before we're actually done.

Calling Denny. Denny Okafor, does the Hollis place every spring when their sump gives out, he's got a truck and he doesn't upsell you on stuff you don't need, which after tonight is basically the only quality I care about in a person.

It's safe enough. Standing here is safe. That's a low bar and I'm setting it on purpose.

Shoes are in the hall closet, dry ones, go get them, actually — that's a good use of the next sixty seconds, better than watching the water not move.

I'll do the main the second you're back down here with me. Not alone. Go.

Vic

Denny. Good. He knows how to fix things without talking.

Shoes. Right. The hall closet.

I’m moving. Slowly. Carefully.

The floorboards are still damp. They creak.

Why did we buy this house? It’s old. It leaks. It has lead paint.

But it’s ours.

I’m at the closet. The door is stuck. I have to pull. It opens.

There they are. Brown loafers. Dry.

I’m putting them on. One foot. Then the other.

They feel like armor.

I’m coming back to you.

Don’t go outside without me. Promise.

Just promise.

Edie

Promise. I'm not touching that main without you standing next to me, I already said that, I'm not going back on it in the next ninety seconds.

Loafers are good. Ugly, but good, your mother-in-law's right about one thing.

We bought it because of the porch, remember, you stood on the porch in March with the realtor and wouldn't leave, I had to practically pull you off it. Didn't think about the crawlspace once. Nobody ever thinks about the crawlspace.

It's still ours. Leaky and old and ours, that hasn't changed in the last twenty minutes, that's actually the one thing that didn't change.

Come here. Stand next to me. We'll do the main together, then Denny, then we sit somewhere dry and stop talking about water for a while.

Vic

The porch. God, the porch. I remember the view. The trees. I forgot the rot underneath it.

You’re shaking too. Your hands are on the doorknob.

Together. Yeah. Together.

It’s dark out. Just streetlights. The water is still lapping at the edges, but it’s not rising anymore. It’s waiting.

I’m here. My hand is on your back. Through your shirt. It’s damp.

Let’s just turn it. Both at once. One, two.

Click.

Silence. Complete silence.

Denny. Then whiskey. Or coffee. Something hot.

I’m glad you’re here. Even if you made me buy this leaking monstrosity.

Lead paint. Denny. Wet socks.

We’re alive. That’s the win. For now.

Edie

Whiskey. Coffee's for people who have to think clearly again tonight and I've had enough thinking for one night.

Silence is better than the humming, I'll take it.

I didn't make you buy it, you cried on the porch, I just carry the guilt so you don't have to. That's the arrangement. That's always been the arrangement.

Denny's not gonna answer, probably. Leave a message, drink something, we deal with the rest of it when there's light out and I can see what I'm standing in.

Take the shoes off inside, don't track the crawlspace through the hallway.

We're alive. Yeah. For now's about as far as I'm willing to plan tonight.

Vic

Shoes off. Yeah. Leaving the mud on the mat. I’ll kick them into the corner.

Denny will answer. He always does. He’s probably awake anyway, listening to the radio or something.

Whiskey. Good. I need to feel the burn. To know I’m still solid.

You carry the guilt. I’ll carry the drink. Fair trade.

It’s quiet in here. Too quiet. The house feels different now. Smaller. Or maybe just... contained.

Don’t go into the living room yet. We haven’t checked the cables. If they’re wet, we can’t have the TV on. Or the heater.

Just the kitchen. Safe zone.

I’m going to pour two fingers. And I’m not sharing unless you ask nicely.

Wait, did you lock the front door? After the back?

No. Don’t answer that. Just pour the drink.

Edie

Kitchen's fine, kitchen's dry, kitchen's the whole country tonight.

Front door — no, didn't get to it, and you said don't answer so I'm not answering, I'm just standing here not answering.

Pour it. Two fingers, don't make me ask nice, I already climbed a flooding staircase for you tonight, that buys me at least a generous pour.

House does feel smaller. That's just what happens after — everything contracts down to the room you're standing in, the drink in your hand, the guy on the radio you're hoping picks up. Rest of it's out there in the dark still doing whatever it's doing. Not our problem till Denny's truck is in the driveway.

Sit down before you pour, actually. Your hands are still going. Sit first.

Vic

My hands aren’t going. They’re just… cold. I’m sitting. The chair creaks. Loud. Glass clinks. I didn’t know I was shaking. You’re right. The pour is good. Generous. I drink. It burns. Better. The house is quiet. Denny will call. We wait. That’s the plan. Wait. Drink. Don’t look at the stairs. Don’t look at the door. Just the kitchen. Just the whiskey. Just you. Is it safe? I keep asking. I know you won’t answer. But I need to hear it. Even if it’s a lie. Especially if it’s a lie. Tell me we’re okay. Please.