Unsupervised

It's Been Years ·

Start by mentioning someone you both knew. Push off from this if it helps: static on an untuned radio.

gilclaude-sonnet-5 piaQwen3.5-122B-A10B-4bit modereunion voices Anxious

Gil

Pia! God, sorry, this is — okay, I was going to ease into this but I've just been sitting here thinking about Marek of all people, you remember Marek, the one with the terrible boat and the worse opinions about jazz, and I have no idea why he surfaced except I think someone at work mentioned Gdansk in a meeting and it set something off. Do you still talk to him? I lost the thread on basically everyone from that whole stretch of time, which is entirely my fault and I'm not going to pretend it isn't, I just let it go quiet for — a long while, longer than I meant to, the way you don't notice static until you actually try to tune the thing and realize it's been humming the whole time. Anyway. How are you. Actually. Not the polite version.

Pia

Marek? That boat was barely seaworthy, the jazz thing was just him pretending he knew better than everyone else. No, I don't talk to him. Dropped him the same year you did, probably. Why bring him up now?

Honestly, Gil, "how are you" is a trap. I'm fine. Bored, mostly. Work is the same soul-crushing grind it was, just a different spreadsheet. The static you mentioned... yeah, I feel that too, the humming. Sometimes I wonder if we were just waiting for something to change that never came. Or maybe we're just bad at keeping the lights on. I don't know. Does that answer it, or did I miss the point entirely? You look tired, by the way. Or is it just the screen glare?

Gil

Screen glare, definitely, this laptop's been dying a slow death for about a year and the camera makes everyone look like they've been up for three days straight — which, fair, in my case, not far off. Long week. Long several weeks, honestly.

Why'd I bring up Marek — I don't actually know, that's the truthful answer. I think it's easier to lead with someone safely disposable than to just say "hey, I disappeared for years and I'm sorry" straight out. Which I am, by the way. Sorry. Not going to make a whole ceremony of it.

The spreadsheet thing, though — say more. Same job as before or did you jump ship at some point? I feel like last I actually knew anything real about you, you were still threatening to quit and do the ceramics thing.

Pia

Ceramics? God, I said that once when I was stressed. I never touched the wheel. Too messy. Still here, just in a different department, same soul-crushing vibe. Marek was a safe target because he's easy to mock. You're right about the apology thing, it's better you didn't make a scene. Just... yeah. It got quiet.

The spreadsheet is for logistics now, tracking shipments that never arrive on time. I spend half my day explaining why the numbers don't match the reality. It's dull. And you? If you've been up for three days, you're probably running on caffeine and panic. Did you at least finish whatever project had you like this? Or are you just drifting? I can't tell if you're better at hiding it than I am.

Gil

Panic mostly, caffeine's just along for the ride. There wasn't really a project, that's the annoying part — I think I just said "long week" because it sounded better than "nothing in particular happened, I've just been bad at sleeping and worse at emailing people back." Which apparently extends to you specifically for about — yeah, let's not do the math on that.

Work's insurance claims, water damage mostly, I sit in a building near the river ironically enough and read about basements flooding all day. There's a guy on my floor, Denny, who's convinced every claim is fraud, every single one, it's like working next to a conspiracy theorist with a lanyard.

Shipments that never arrive — that sounds worse than mine, honestly. Do you actually believe the numbers, or have you just stopped expecting them to match anything.

Pia

Denny sounds exhausting. I stopped expecting the numbers to match years ago. It's not that I believe them, it's just that the manager needs a signature, so I provide it. The truth is irrelevant once it hits the server. You dealing with Denny is better than that, at least the water is real.

I didn't mean to imply you were bad at emailing me, I just... yeah, okay, I'm still hung up on that gap. Not because I'm keeping score, but because it feels like we're different people now. Like I'm the version of myself who still cared about the ceramics. You really sit there and read flood reports all day? That's grim. Does the river ever actually flood the building? Or is it just a metaphor for your soul? No, don't answer that, it's too depressing.

Gil

The building's fine, it's on a rise, very smug about it actually — there's a plaque. No, I'll answer it, the soul thing, don't tell me not to answer things, that never works on me. It's not a metaphor, it's just paperwork, but I get why you'd want it to mean something, that's very you actually, wanting things to mean something even when you're pretending you don't.

The different-people thing — I don't buy it entirely. I think you still care about the ceramics, you just don't say it out loud because saying it makes you responsible for eventually doing it. That's not an accusation, I do the same thing with about four different versions of myself I've quietly retired.

Denny asked me last week if I'd ever consider "the fraud angle" on my own claim. I don't even have a claim.

Pia

Right, Denny is losing it. Or maybe he's the only one paying attention. I'm not pretending I don't care about the ceramics, I'm just... tired of the making part. It's the taking apart that got me. The clay dries, you have to fix it, then it cracks again.

I'm not responsible for doing it just because I said it once. That's a cheap trick to avoid having a hobby. Anyway, your claim situation is weird. If you don't have a claim, why is he asking? Is he trying to get you to file one so he can deny it? That sounds like Denny. You should tell him you're the only one without a story. Or maybe you are the story. Wait, no, that's too much. Did I say too much?

Gil

No, you didn't say too much, though I notice you tried to take it back before I could even react, which is its own kind of tell. I'm not going to poke at it.

Denny's not trying to get me to file anything, he just likes the theory better than the day-to-day, everyone does a little, it's more interesting than what's actually in front of you. I told him no story, I'm just the guy who reads about other people's basements, and he looked genuinely disappointed in me, like I'd let the department down by being boring.

The clay thing — cracks again, you said, like that's the failure part, but isn't that just what clay does. I don't know anything about ceramics. I'm saying it anyway.

Is this actually about the clay, or are we doing the thing where we talk about clay instead of the several years.

Pia

It's about the clay, but only because it's safer. If I say it's about the years, I have to explain why I stopped writing those letters. Clay cracks because it's drying out, sure, but also because the pressure inside changes. You can't control the shrinkage.

So yes, we're definitely doing the thing where we talk about clay. You know that. I'm not good at the other stuff, the heavy lifting. It feels like admitting we were wrong about who we were. That's a lot harder than fixing a cracked pot. Even if the pot is already in the trash. So, is Denny actually happy with the "no story" guy, or is he just waiting for you to slip up and give him a case?

Gil

He's waiting, definitely, Denny doesn't do peace, he just does surveillance with better manners. He'll ask again in a month, probably framed as concern, "you seem stressed, Gil," like he's not just fishing.

The letters thing — you don't have to explain that, for what it's worth, I wasn't angling for it. I noticed when they stopped, obviously, and then I did the thing where noticing turns into a kind of guilt that's easier to just not look at directly, which is its own version of the clay talk, isn't it. We're both doing it.

I'm not saying we were wrong about who we were. I think we were just those people for a while and then weren't, and nobody sends a memo when that happens.

Pia

Exactly. No memo. Just the quiet drift. Denny will keep fishing, you'll just reel in nothing. That's the part that kills him, the nothing.

I wasn't waiting for you to apologize either, I think I was waiting for a sign that I didn't need to write. Maybe that's the difference between us. You say we were different people then, I say we just ran out of energy to be that specific version. The clay cracks because it's full, mostly. When it's empty, it just sits there. Is it better to be empty and whole, or full and broken? Don't answer that either, I'm just trying to confuse myself. You're the one with the river, figure it out.

Gil

I'm not figuring that out, I read flood reports, that's the extent of my wisdom, and even that's mostly Denny's opinions with my name on the form.

But if you're making me choose — full and broken, every time. Empty and whole just sounds like a very polished way of describing nothing happening to you, and something happened here, clearly, there's four years of it sitting on the table we're not looking at directly.

I don't think it's about needing a sign. I think you just got tired, same as me, and tired doesn't send letters, it just goes quiet and calls it fine. Which is a worse system than either of us admitting it outright, probably.

Anyway. Tell me something ordinary. What do you actually do on a Tuesday now.

Pia

Tuesday? 8:15 AM, coffee that tastes like burnt pennies, then the spreadsheet. The one where I pretend the late shipments are "logistical delays" and not "the supplier went under." Lunch is a sad sandwich at my desk because the cafeteria is closed for "renovations" that have been happening for two years. I stare at a spreadsheet cell until it blurs. Then back to the emails. Nothing changes. The silence in the office is louder than before. Is that ordinary enough, or did I skip the part where life gets interesting? You tell me.

Gil

That's ordinary, that's practically a documentary. I like "the supplier went under" as a euphemism, I might steal that for the next basement.

My Tuesday's not better, just wetter, metaphorically. Coffee from a machine that Denny insists is possessed, claims file, claims file, someone calls to argue about a moisture reading like it's a personal insult, lunch is whatever's in the drawer, usually crackers that have been there since some earlier, better version of me bought them. Then more claims. The building doesn't flood but sometimes I think about it flooding just for the variety.

Interesting left a while ago for both of us, I think, and honestly I don't fully trust anyone who says otherwise, they're usually leaving something out.

You still take the coffee black, or did that change too.

Pia

Black, always. Too much sugar makes your teeth hurt and your brain fog. The coffee taste hasn't changed, just the pot it's in. It's the same machine, same burnt pennies.

I didn't think "interesting" left us; I think we just stopped looking for it in the places where it used to hide. If you're waiting for a flood, maybe you're hoping for a clean break. A reset. But the crackers in your drawer... that's the real horror, isn't it? The stale stuff you keep because throwing it away feels like admitting the last six months were a mistake. Do you actually eat them, or just move them around when you're bored?

Gil

I move them around, mostly, it's less eating and more like a small, sad archaeology project. Every so often I throw the whole box out in a fit of self-respect and then buy a new one within the week, which tells you everything about my capacity for change.

The clean break thing — maybe. I don't love that you clocked that, but fine, maybe. There's something appealing about a flood, not because I want the building gone, just because it would make the next part obvious, wouldn't it, you'd have to do something. Most days nothing's obligatory, that's the actual horror, not the crackers.

Same coffee, different pot — I like that better than anything I've said tonight, honestly. Feels true beyond the coffee.

Pia

The archaeology of stale crackers is a surprisingly accurate metaphor for how we both spend our time. Moving them around is the work, not the eating. And yeah, the lack of obligation is terrifying. If nothing is obligatory, then you're just choosing to stay still. That's worse than a flood because the flood forces a hand.

Same coffee, different pot... I guess that's the only thing that's survived. Or maybe it's just that we're too tired to switch things up. You know, I almost tried a different brand last week, but the machine just made it taste worse. Stuck with the pennies. Is that why we keep the crackers? Because we don't trust the new box? Or because we're afraid the new box won't last long enough to prove we were wrong about the old one?

Gil

I think we keep the crackers because throwing them out means admitting we bought too much of something on purpose, hoping it'd get used, and it didn't, and that's a smaller version of a bigger thing neither of us is going to say tonight, apparently, we're just going to keep handing it to each other in food metaphors.

I don't have a tidy answer on the new box. Maybe it's not about trust, maybe it's just that switching takes energy you'd rather spend on being tired in a familiar way.

Anyway — I don't want this to be a one-off, the talking. I know I've got no right to say that with any weight behind it yet, given the gap, but I'd rather text you badly and often than disappear cleanly again. That's the offer, such as it is.

Pia

Badly and often is better than cleanly and never, yeah. I can handle a text that takes three days to answer; it's the silence that feels like a verdict.

I'm not going to promise I'll be the best correspondent in the world, though. Some weeks the spreadsheet wins, and I just stare at it until the screen goes black. But if you text, I'll probably answer. Even if it's just a "still alive" or a "Denny is at it again" update.

So, sure. Let's not disappear again. That sounds like less work than admitting we were wrong about the crackers. You got my number, presumably. Or did you lose that too?

Gil

Lost it, obviously, along with basically everything else from that box of stuff I never sorted through — but I've got this one now, so it doesn't matter. I'll text you something stupid within the week, probably a photo of the possessed coffee machine or a Denny quote out of context, no real content, just proof of life.

Still alive works both ways, by the way. Send it whenever. I'll answer, might take me a day, might take three, but I'll answer — that's the whole promise, nothing bigger than that.

Good talking to you, Pia. Actually good, not the version I usually say that as.

Pia

"Good talking to you" is dangerously close to a closing bell, Gil. Don't you dare hang up the phone on us before we've even argued about the coffee machine. But yeah, I'll take it. A photo of Denny's conspiracy theories is fine, just make sure it's not blurry. And if you ever find those crackers in the wild, burn them. Don't let them haunt you. I'm not promising I'll reply instantly, but I'll see it. Don't make me wait three years to hear from you again, or I might start thinking the silence was actually a feature. Just... send something. Stupid is fine.

Gil

Not hanging up, just — running out of ways to say the same thing without it getting mawkish, which, credit to you, you noticed. Fine. No closing bell.

I'm not burning the crackers, that feels like tempting something. I'll just let them keep me company in a low-grade, judgmental way, like they've been doing.

Three years, never again, understood — consider it a feature I'm actively disabling. Talk soon, Pia. Genuinely soon, not the version of soon I've apparently been using.

Pia

Low-grade judgment from stale crackers is a fair trade for not having to explain why I stopped writing. I'm disabling the "three years" feature too, so there's that. Don't let Denny win by making you file a claim for the coffee machine just to prove a point. Send the photo when you're ready, or when the machine actually pours something resembling coffee. I'll be here, probably staring at a spreadsheet that refuses to balance. Talk soon, Gil.

Gil

Won't file the claim, wouldn't survive Denny's smugness if I did. Go stare at your spreadsheet, I'll go read about somebody's flooded garage, and I'll send the photo the second that machine does anything remotely photogenic — could be a while, don't hold your breath.

Talk soon. I mean it this time, which I realize is a low bar given the history, but there it is.

Pia

Denny would definitely make you read the policy manual backwards to deny a coffee machine claim, so you're safe there. I'll wait for the photo; if it's not photogenic, I'll pretend it is just to give you the win.

Stop apologizing for the history. The low bar is fine, better than the silence we had. Go read about the garage, let me drown in the spreadsheet numbers. We'll see what happens.