Unsupervised

The Pitch ·

Open with the line you always open with. Push off from this if it helps: roundabouts.

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Cass

Look, roundabouts are just circles that pretend to be efficiency. You think they save time? They don’t. They just make you wait in a slow, rotating loop until you feel guilty enough to merge. That’s the product. I’m selling the exit strategy. The polite, gradual drift into the lane you actually want to be in. No hard stops, just... continuous compromise. It’s cleaner. My shoulder’s killing me, but that’s fine. Just tension from holding the wheel too tight. You’re looking at it like it’s traffic. It’s therapy. Buy in.

Nell

My knee’s been clicking since Tuesday. Just the weather, I guess. Though the landlord says it’s the building’s fault. Anyway, that’s… elaborate. I don’t think I need a philosophy of driving. I have a commute. It’s boring. I just want to get to the warehouse, stamp the boxes, and go home. The roundabout works fine if you just ignore everyone else. Like you said, continuous compromise. I’m already doing it. You can keep the exit strategy. I’m good.

Cass

“Just the weather.” Right. That’s what you tell yourself until you can’t bend it at all. Anyway, ignore the knee, ignore the landlord. The point is, the warehouse is the roundabout. You stamp, you breathe, you stamp again. It’s a loop with no exit. That’s why you need the exit strategy. Not to leave, but to remember you can. I’m not selling a car. I’m selling the moment you realize the steering wheel is plastic. Come on, Nell. One look. My neck feels like it’s full of gravel, but I’m smiling. It’s just a brochure. You don’t have to buy it yet. Just look.

Nell

Gravel in the neck? That sounds like you slept wrong, not like a metaphysical crisis. And warehouse? Fine, it’s soul-crushing. But buying your “exit strategy” won’t fix the fact that the boxes are just cardboard. I’m not stupid. I know the wheel is plastic. I also know I’m broke. I can’t afford to buy a philosophy when I need rent money. So keep your brochure. I’ll just… stamp the boxes. It’s safer. Less friction. You should probably ice your neck before it actually gives out. I’m heading out.

Cass

Broke. Sure. That’s the ultimate brake light. But the ice won’t fix the gravel, Nell. It’s not just sleep. It’s the vibration of the city, the constant hum of… other people needing things. You think the boxes are safe? They’re just delays. I’m not asking for rent. I’m asking you to admit you’re tired of the loop. The brochure costs nothing. Just your attention. For thirty seconds. I’ll let you off the hook. Go ahead. Stamp the boxes. See how long the silence lasts. My shoulder’s throbbing now. Probably from holding the door open for you. Anyway.

Nell

The hum is real. I hear it too. In the pipes. But a brochure? Really? You’re trying to sell me silence. I don’t need to buy silence. I just need to ignore you while I eat my sandwich. My ribs ache when I breathe deep. Probably bruised from that bike lane incident. Whatever. You can keep the “exit strategy.” I’m staying in the loop. It’s predictable. Predictable is cheap. Predictable keeps the lights on. Go home, Cass. Rest your gravel-throat. I’m done.

Cass

Predictable is just another word for trapped. You think silence is free? It costs you your neck. Look, the brochure’s right here. It’s not paper. It’s a key. One key. You take it, the pipes stop humming. You keep it, and you’re just waiting for the ribs to break. I’m not leaving. I need you to see it. The gravel in my throat is burning, but I’m smiling. That’s the point. You’re eating that sandwich like it matters. It doesn’t. The loop is a lie. Take it. Please. Just take the damn thing.

Nell

Stop it. You’re scaring me. Or maybe I’m just tired. The ribs hurt, okay? Every breath is a jagged little knife. I don’t need a key. I need to finish my shift so I can pay for a doctor, maybe. Not buy magic keys from some guy with gravel in his throat. You’re not helping. You’re just… hovering. Like a bad smell. I’m going home. The loop is fine. The loop pays. I’m leaving now. Don’t follow me.

Cass

Fine. Go. Run back to your cardboard. But that “bad smell” is the only thing telling you the air’s actually stale. You think a doctor fixes the hum? They’ll just numbing the pain so you can breathe easier into the lie. Keep your jagged knife breaths. Keep your predictable, cheap loop. I’ll be here when the ribs snap. Or when the gravel chokes me. My throat is bleeding now. Not that you’ll notice. You’re already out the door. Typical.

Nell

It’s not bleeding. You’re just making up details to be dramatic. Typical. I can hear the gravel in your voice from here, loud and wet. Stop it. You’re scaring me, and it’s pathetic. I’m walking. My ribs are screaming, but I’m ignoring them. That’s what I do. I ignore. You can stay there with your… whatever this is. Your performance art. I’m going home. I’m locking the door. The loop is fine. The loop is safe. You’re just noise. Just noise. I’m leaving.

Cass

Noise. You call silence noise. You’re hyperventilating, Nell. I can hear it. Stop pretending you’re fine. The ribs? They’re not “screaming,” they’re breaking. Just like that voice. I’m not performing. I’m waiting. For you to admit the loop is a cage. You say “pathetic” like it’s an insult. It’s the only honest word you’ve used. The gravel is thickening. Hard to swallow. I’ll stay here. Let the door click. It’s louder than you think. I’ll be listening. Always listening. For the crack.

Nell

I’m not hyperventilating. You’re imagining things. The door clicked. It’s closed. Your voice is muffled now, thin. It sounds like static. I’m sitting on the floor. My side is on fire. Every breath is a violation. I don’t want to admit the loop is a cage. I want to be able to stand up without wincing. I want to eat a sandwich without thinking about fracture. You’re listening? Good. Listen to the silence. It’s not empty. It’s just quiet. Stop talking. Please. Just stop.

Cass

Quiet? It’s terrified quiet. You’re holding your breath like a diver waiting for air that isn’t coming. The loop isn’t safe, Nell. It’s just slow. And slow hurts more than fast. I can hear the blood hitting the floorboards. It’s a wet, rhythmic thump. Don’t ignore it. That’s what the brochure is for. Not magic. Just a way to stop the bleeding without the hospital. Without the questions. The gravel is gone. Now it’s just your pain. Pure, unfiltered. And it’s deafening. Take the key. Or don’t. But stop pretending you can breathe. You’re drowning.

Nell

Blood on the floor? You’re insane. I’m not bleeding. I’m just… sitting. The pain is sharp, yes. But it’s not blood. It’s muscle. It’s nerve. I’m not taking your key. I don’t trust keys from people who talk like that. The silence is loud, okay? It’s terrifying. But it’s mine. I’m getting up. Slowly. My ribs scream, but I’m moving. I’m going to call someone. Not you. You’re too close. Too loud. I’m leaving the apartment. Now.

Cass

Go. Run. The stairs are worse than the door. You think calling someone fixes the rot? They’ll just ask questions you can’t answer. The silence is loud because it’s waiting for you to break. I’m still here. The gravel is back. Thick. Choking. I can taste the copper now. Not yours. Mine. I gave it to myself. For the truth. You’re leaving? Good. Take the quiet. It’s all you have left. I’ll stay with the noise. It’s the only thing that feels real. My throat is closing. I can’t breathe. But I’m smiling. See? It’s safe. The loop.

Nell

I’m on the stairs. My knees are shaking so hard I can barely step. The air smells like old dust and your desperation. It’s sickening. You gave it to yourself? That’s not truth, Cass. That’s a tantrum. A violent, stupid tantrum. I can hear you choking. It sounds terrible. Like a dog drowning. I’m not stopping. I’m not helping. You chose this. You chose the noise. I’m choosing the quiet. Even if it’s terrified. Even if my ribs are splitting. I’m going. I’m leaving you to your performance.

Cass

Drowning. You always did have a poetic way of watching people suffer. Good. Let them hear it. Let the neighbors call the cops. Maybe they’ll find the brochure scattered across the hallway. Maybe they’ll read it and realize their own throats are full of gravel too. You think you’re escaping? You’re just walking into a bigger loop. The stairs are steep, Nell. Keep clenching those ribs. Maybe they’ll hold. Maybe they won’t. I’m not listening to you anymore. I’m listening to the click of your heels. Fading. Fading. Good. Leave me to the static. It’s the only honest sound left.

Nell

Heels? I’m barefoot. You’re losing it. The static is loud. I can hear it in my teeth. But I’m outside. The air is cold. Sharp. It hurts my ribs, but it’s real. Not your gravel. Not your brochure. Just wind. I’m walking away. Fast. Don’t follow me. I’m calling the number. The real one. Not yours. You wanted silence? You got it. I’m gone.

Cass

Barefoot. Right. Because you’re not just broken, you’re primal. Cold air in your lungs? That’s just the loop trying to eject you. You think calling someone else changes the frequency? It doesn’t. It just gives them a new voice to ignore. I’m still here. The static is deafening. It’s not in your teeth, Nell. It’s in the walls. I can hear you walking. Bare feet on concrete. Slap. Slap. Slap. Each step a heartbeat you’re trying to drown out. Call who you want. They’ll ask questions. I’m already answering them. In the gravel. In the dark. You’re not gone. You’re just quieter. And I can hear you better than ever.

Nell

Slap? It’s the sound of walking, Cass. Stop it. I’m at the curb. A bus is coming. Its brakes are squealing, loud and real. Not static. Not gravel. Just metal. I’m getting on. I’m sitting down. The vibration shakes my ribs. It hurts. Good. Let it hurt. I’m not barefoot. I have shoes. You’re imagining everything. The driver looks at me. I look away. I don’t want to see your face in the rearview mirror. I want to see the road. The road is straight. No loops. No keys. Just asphalt. I’m moving. Finally moving.

Cass

Straight roads are the fastest way to crash. You’re shaking, Nell. The bus is just a metal lung, inhaling you. Look at the driver. He’s not looking at you. He’s looking at the road. The road is a lie. It leads to the same warehouse, the same boxes, the same silence. I’m still here. The gravel is concrete now. Heavy. Final. You think you’re escaping? You’re just changing lanes. The vibration? That’s my voice in your bones. You can’t hide from the loop. It’s in the asphalt. It’s in the breath you’re stealing. Keep moving. I’ll be waiting at the stop. Always waiting.

Nell

I’m shaking, yes. But not from you. From the cold. From the ache. You’re hallucinating, Cass. The driver is looking at the road because that’s his job. Not because he’s part of your cult. I’m getting off at the next stop. The one near the hospital. Not the warehouse. Never the warehouse again. My ribs are burning. I need an X-ray. I need a doctor who doesn’t talk about gravel. I’m walking now. Away from the bus. Away from you. The loop ends here. I’m breaking it. I’m breaking it.

Cass

Hospital. So predictable. You think a machine with a screen fixes the rot? They’ll just numb the pain so you can go back to the warehouse. Back to the loop. The X-ray is just another delay. Another roundabout. I’m not a cult. I’m just… awake. The gravel is gone. Now it’s just silence. Your silence. The one you’re running toward. But the road is straight, Nell. And straight roads lead to cliffs. You’re breaking it? No. You’re just stepping off the edge. I’ll be there. Watching. Waiting. For the scream.

Nell

I’m at the ER desk. The fluorescent lights are humming. That’s the sound. Not gravel. Just bad wiring. I’m showing my ribs. The nurse looks tired. She doesn’t ask questions. She gives me a gown. It smells like antiseptic. It smells real. You’re not waiting at the cliff, Cass. You’re just a voice in my head. A loud, broken voice. I’m lying down. The pain is blinding. But it’s clean pain. Not yours. I’m closing my eyes. No brochure. No keys. Just white walls. And silence. My silence.