Unsupervised

Between Floors ·

Open by asking if they have a signal. Push off from this if it helps: municipal swimming pools.

vicQwen3.6-35B-A3B-8bit nellQwen3.6-35B-A3B-8bit modelift voices Distracted

Vic

Do you have signal? Any bars? Or is it just the hum of the ventilation again? It’s that same dead zone as the municipal pool. You know the one? The deep end, tile white and blinding, water still enough to see your own distorted reflection staring back. No reception. No escape. Just the chemical tang of chlorine and the echo of a single splash. I checked my phone three times. Nothing. It’s eerie how complete the silence is. Like the world outside has been vacuum-sealed. We’re in a metal box suspended in a void. Please tell me you have something. A faint bar. Anything. My hands are cold.

Nell

Signal? I wasn’t even looking. I was trying to remember if I locked the back door. Or was it the front? It doesn’t matter. The key’s on the counter. With the milk. Did I buy milk? I stood there for ten minutes thinking about the font on that invoice. Sans-serif. Ugly.

Your hands are cold? That’s… that’s just how hands are. Or maybe you’re anxious. I’m not. The hum is actually quite rhythmic. Almost musical. Like a cello string. Wait, did you say the pool? I hate pools. Too loud. The tiles… yeah, I get it. But we’re fine. Just waiting. Why are you checking your phone so much? It’s dark in there anyway.

Vic

The font. Sans-serif. Of course. You were staring at Helvetica while the floor dropped out. I remember the invoice. Bold, aggressive. It’s not about the milk, Nell. It’s that you can’t hold the thought for more than three seconds. The hum isn’t musical. It’s failing. Listen closer. It’s skipping. A stutter in the machinery of our suspension.

And my hands aren’t just “cold.” They’re shaking because I am calculating the tensile strength of a cable versus the weight of two people and a very small box. You’re waiting. I’m surviving. There’s a difference. You’re romanticizing the stall as a cello note; I’m auditing the brake pads. Stop talking about the tiles. They’re not tiles. They’re teeth. And we’re the chew toy. Do me a favor. Look at the camera lens. Is it blinking? Or is it just… watching?

Nell

Teeth? You’re seeing teeth in stainless steel. That’s a panic attack, Vic. Not structural integrity. The hum isn’t skipping. It’s just… steady. Boring, even. I was thinking about my neighbor’s cat. It hides in the dryer. Why? It’s warm. That’s all.

I’m not looking at the camera. It’s probably off. Or taped over. Who cares? If it were on, I’d wave. Or blink. Slowly. Like a lizard. You’re working yourself up over nothing. The brake pads are fine. I know the mechanic. He’s lazy, but he checks the obvious stuff. Like if the cable is actually there. Which it is. Definitely. Please stop shaking. You’re vibrating the whole box. It’s annoying.

Vic

My neighbor’s cat. Hiding in the dryer. Because it’s warm. So we are animals now? Seeking heat in the belly of a machine that just dropped four floors. Your mechanic is lazy, Nell. You said he checks the obvious. He doesn’t check the cables. He checks the lights. He checks the brakes. The cable is the only thing keeping us from becoming a red smear on the shaft wall. And you’re worried about the font. Sans-serif. Ugly.

Stop waving. You’re making me dizzy. The camera isn’t off. I can see the red dot. It’s blinking. Slowly. Like a lizard. Or a heart monitor. One of us is dead. I just don’t know which. You’re calm because you’re dissociating. I’m calm because I’m screaming internally. That’s the difference. You’re the cat in the dryer. I’m the hand reaching for the door handle that won’t open. Keep talking about the cat. Please. Anything but the dark.

Nell

The cat’s name is Barnaby. He knocks things off shelves. Not because he’s evil, but because gravity is a suggestion he refuses to respect.

You’re imagining the red dot. It’s probably an LED from the emergency light. Or a reflection. Your eyes are adjusting to the dark. That’s biology. Not a death sentence.

And I’m not dissociating. I’m just… present. Here. In the box. With you. You’re making this worse by talking about smear and dark. It’s just a lift. Maybe the power went out. Maybe the alarm tripped. Nothing exciting.

Did I tell you about the invoice? The bold Helvetica? It was on a coffee stain. Looks like a face. Yelling. But silent.

Vic

Barnaby. Gravity as a suggestion. You’re poeticizing the absurd. The coffee stain. A face. Yelling silently. It’s not a face, Nell. It’s a reaction. A spillover of old coffee you forgot about three days ago. The red dot is pulsing. I can hear the frequency change. It’s not an LED. It’s a status indicator. And it’s turning amber.

You say nothing’s exciting. That’s the problem. You’re treating this like a Tuesday afternoon delay. It’s not. It’s a vacuum. A seal. I can feel the air pressure dropping. My ears are popping. Actual popping. Not anxiety. Physics. You’re present? You’re nowhere. You’re in the invoice. You’re in the cat. You’re not here with me, watching the amber light.

Stop talking about the stain. It’s closing in. The walls are narrowing. Or I am. I need you to look at the corner. The seam. Is it moving? Please. Just tell me the seam isn’t moving.

Nell

The seam isn’t moving. It’s rivets. I can see the rust streaks. Like tears. Or maybe just oxidation. You’re projecting.

Air pressure? That’s altitude. We’re on the ground floor. I saw the lobby through the gap. A guy was eating a bagel. Plain. No cream cheese. Sad.

Amber light? It’s the button for the third floor. The ‘3’. It’s stuck. Always has been. My boss hates the third floor. Too much foot traffic. Or no traffic at all. Just dust.

Stop looking at the walls. Look at me. I’m right here. Not in the invoice. In the box. With you. The cat is probably dreaming. About birds. Or dryer sheets. Why dryer sheets? They smell like laundry detergent. And safety.

Did you lock the door? No. I checked. Twice.

Vic

A bagel. Plain. No cream cheese. You saw a man eating a bagel while we plummeted? That’s the detail that sticks? The rust. Oxidation. Tears. It’s the same metal as the button. The ‘3’. Stuck. Always. Your boss hates it. Dust.

I didn’t lock the door. I never lock the door. That’s the joke, isn’t it? We walk into the void wearing slippers. The cat dreams of dryer sheets. Safety. Safety is a scent now. Laundry detergent and panic.

Look at me. I’m looking. You’re staring at my eyes like you’re trying to find the off switch. There isn’t one. The ‘3’ isn’t stuck. It’s pressed. Deep. Into the panel. Like a wound. You say it’s always been that way. I say it just happened. The air is thinner. I can taste the dust. Your boss’s dust.

Why are you smiling? It’s not a smile. It’s a rictus. Stop it. Look at the button. Tell me it’s not glowing. Tell me it’s off.

Nell

Smiling? I’m not smiling. My face is just tired. You’re reading into everything. The button isn’t glowing. It’s reflecting the amber emergency strip. Physics, Vic. Light bounces.

The ‘3’ isn’t pressed. It’s popped out. You’re seeing things. Hypoxia maybe? But we’re fine. I read that article. Elevators are safer than cars. Much safer.

I don’t care about your boss. Or his dust. I care that you’re hyperventilating. It’s dry in here. My throat is scratchy. Do you have water? I think I left my bottle in the car. Or at home. With the milk.

Stop looking at the button. Look at the floor. The gap is still there. The bagel guy is gone. Now it’s just… static. Gray. Like television noise. Remember the pool? The tiles? They were white. Not gray.

Why is it getting quiet? The hum stopped?

Vic

The hum stopped. That’s not safe. That’s the sound of the counterweight snapping. Of course it’s gray. The power’s gone. You’re hyperventilating? I’m fine. I’m breathing through my mouth. It’s dry. Like the pool. But no water. Just dust and old air. You left your bottle? In the car? With the milk? The milk is souring, Nell. We can smell it. It’s souring in the dark.

The bagel guy is gone. Static. Gray noise. That’s the void. That’s what’s under the floor. Not concrete. Just empty. You said the button popped out. I said it was pressed. You’re lying. Or you’re gone. Look at the floor. The gap is sealing. The static is rising. It’s climbing the walls. Like the pool water. But gray.

I don’t have water. I have nothing. Just the button. And the red dot. It’s not amber. It’s red. Solid. Blinking stopped. It’s on. It’s watching. We’re not in the lift. We’re in the eye. Tell me you see it. Tell me you’re scared. Please. Just once. Be scared with me.

Nell

Scared? You’re hysterical. The gap isn’t sealing. It’s just… shadow. Your eyes are playing tricks. The red dot is an LED. It’s solid because the power surged. Not vanished. Surged.

I’m not gone. I’m right here. You’re the one hallucinating. Milk? We don’t have milk. I hate milk. It clots. Like blood.

You want me scared? Fine. I’m annoyed. You’re loud. And wrong. About everything. The eye? Please. We’re in a box. A metal box. Not an eyeball.

Wait. Is that a noise? Not the hum. A click? Like a lock. Or a breath.

Did you hear that? Or was it the cat? Barnaby? Is he here? In the box? That’s impossible. But you’re shaking so hard the panel is rattling. Stop it.

Vic

Annoyed. You’re annoyed. God, you’re insufferable. The milk clots. Blood. You’re comparing dairy to coagulation while we hang by a thread. It’s surreal. It’s disgusting. It’s true.

The click. I heard it. Not a breath. A latch. Mechanical. Heavy. The doors aren’t just stuck; they’re sealed. From the outside. You said the mechanic was lazy. He didn’t check the cables. He checked the locks. And he locked us in.

Barnaby isn’t here. There’s no room for a cat. There’s no room for air. You’re shaking me. Stop shaking. Or start. I don’t care. Just stop talking about the invoice. I can’t unsee the Helvetica. It’s bold. Aggressive. It’s screaming.

The static. It’s inside now. I can hear it in my teeth. Click. Clack. The mechanism is engaging. We’re not waiting for help. We’re being processed. You hate milk? Good. We’re going to curdle. Together. In the dark. With the gray noise. Tell me you hear it. Tell me the latch is real. Please. Don’t tell me it’s the cat.

Nell

The latch is just the doors closing. Properly this time. You’re hearing things. Teeth grinding? Stress.

I’m not shaking you. You’re vibrating. Like a phone on silent. It’s creepy.

Barnaby is definitely not here. He hates dark boxes. He hates me, mostly.

The milk is fine. I checked. It’s still good. For now.

Stop talking about processing. We’re not meat. We’re people. Annoying, stuck people.

Did you see the invoice? The bold Helvetica? It’s in my head. Screaming. But it’s just ink. Dry ink. Not blood. Not milk.

The static… maybe it’s tinnitus. You’ve been yelling. Your ears are ringing. That’s it.

Sit down. Please. You’re dizzy. I can see it in your eyes. Rolling back. Like a cat. Wait. Why am I thinking about cats again?

Vic

Tinnitus. You think this is ringing? This is the sound of the world ending in a beige hallway. The doors closing. Properly. Sealing us in with the ink and the milk.

I’m not dizzy. I’m calculating. The latch didn’t just close. It engaged. A deadbolt. Heavy iron. Your mechanic didn’t check the locks. He ignored them.

Barnaby hates dark boxes? Good. Maybe he’s outside. Maybe he’s the only one who got out. You’re thinking about him because he’s safe. He’s not in the box. He’s not processing.

The invoice. Helvetica. Screaming. Dry ink. It’s bleeding now. Can’t you see it? Black veins spreading across the metal. It’s not just ink. It’s oil. From the cables. They’re fraying. The static is the sound of the copper snapping.

Sit down? You want me to sit? We are falling. Slowly. Vertiginously. The floor is tilting. I can feel it in my stomach. You’re the one rolling your eyes back. Like a cat. Ready to strike. Or ready to run. But there’s nowhere to run. Just the box. And the ink. And the silence.

Nell

The floor isn’t tilting. You’re sitting crooked. That’s all. I’m not rolling my eyes. I’m looking at the ceiling. There’s a stain. Looks like a map. Of where? I don’t know.

Copper snapping? That’s loud. Metal doesn’t snap quietly. It screams. We’re quiet. Too quiet.

Barnaby is safe. He’s probably eating a bagel. With cream cheese. Gluttonous little thing.

I’m not looking at the ink. It’s just dust. And your imagination. Bold Helvetica is aggressive because you’re aggressive. Projecting.

Sit down. If you fall, I’ll catch you. Or I won’t. I’m tired. My legs are asleep. From sitting. Or standing. I lost track.

Did the light go out? I thought it was just the button. But now… it’s dark. Really dark. Not shadow dark. Void dark.

Wait. Is that a voice? Or just the blood in my ears?

Vic

The map. Where does it lead? To the shaft? To the bottom? You’re looking up while the world falls away. That’s how you get vertigo. That’s how you fall out.

Copper doesn’t snap quietly? It shrieks. A high, thin wire singing its last note. We’re quiet because the air is gone. You lost track of sitting and standing. Good. Gravity doesn’t care about your posture.

The light didn’t go out. It was eaten. Void dark. That’s the color of the pool’s deep end when the sun dies. You think it’s the button? No. The universe just closed its fist.

A voice? Blood in your ears? It’s Barnaby. He’s at the seam. Scratching. Not from outside. From inside the walls. He’s been here all along. Hiding in the mechanism. Dreaming of cream cheese.

I’m not sitting. I’m bracing. If I fall, you’ll break. You’re already brittle. The invoice is cracking. Helvetica is splintering. Look at the floor. It’s dissolving. Into milk. Into static. Into gray.

Tell me you hear him. Tell me he’s real. Please. Before the darkness takes my voice too. Before I’m just ink on a wet page. Please. Speak. Before the silence finishes us.

Nell

Barnaby doesn’t scratch. He purrs. Loudly. Like a diesel engine. You’re hearing things. The walls aren’t dissolving. It’s condensation. Or sweat. Your sweat.

I’m not brittle. I’m rubber. Stretchy. Bouncing back. That’s why I’m calm. You’re the glass. About to shatter.

Milk on the floor? Slippery. Dangerous. Don’t slip. You’ll bruise.

Helvetica isn’t splintering. It’s flat. Printed. On paper. Not metal. Not skin. Just paper.

I hear nothing. Just your breathing. Fast. Shallow. Like a dog.

Stop asking me to speak. I am speaking. You’re not listening. You’re waiting for the end. I’m waiting for the lift to move. Or the door to open. Or Barnaby to appear. He will. He always does. With cream cheese. Greasy fingers.

The dark is just absence of light. Not a monster. Stop personifying the void. It’s just empty. Like my fridge. Except for the milk. It’s still good. I checked.

Vic

Rubber. You’re rubber. Good. Stretch then. Snap later. The condensation is salt. Sweat. I’m sweating because the air is thick. Like the pool. But no chlorine. Just us. And the milk.

Helvetica is flat. Paper. It’s floating. Look up. The ceiling is peeling. The map is moving. It’s not a map. It’s a fingerprint. Yours. Smudged on the metal.

I’m listening. I’m always listening. You’re not waiting for the lift. You’re waiting for the punchline. The joke. But there is no joke. Just the dark. And the silence. And the purring.

Barnaby isn’t here. He’s in the walls. Scratching. Or purring. It’s the same sound. A low, rumbling threat. Greasy fingers. Cream cheese. You’re hallucinating food. Starvation sets in fast. We’ve been here hours. Or seconds. Time doesn’t matter in the void.

You checked the milk. It’s still good. For now. Like us. But the shelf life is up. The box is closing. The door isn’t opening. It’s sealing.

Stop talking. Listen. The purring is louder. Closer. It’s not a cat. It’s the engine. Restarting. Or crushing. Your choice.

Nell

Purring? That’s the fans. Restarting. You said they stopped. Now they’re back. Physics, Vic.

The fingerprint isn’t mine. It’s grease. From the… something. I don’t know.

I’m not waiting for a punchline. I’m waiting for the door to open. It’s a door. Not a seal.

Starvation? We’ve been here ten minutes. Maybe. Time is weird in here. Like the pool.

You’re hallucinating food too. Milk. Bagels. Cat. You’re chasing shadows.

The engine isn’t crushing us. It’s holding us. Friction. Brakes. Smart design.

Stop listening to the fans. Listen to me. I’m real. I’m here. Not in the invoice. Not in the cat. In the box.

The fingerprint is smudging. Wiping away. Like sweat. You’re sweating.

Calm down. Deep breaths. In. Out. The air is still there.

Did you hear that? A click.

Vic

Fans. Restarting. You say that like it’s a comfort. It’s a throat clearing. Before the scream.

Ten minutes. You can’t measure time in a box with no windows. You’re counting heartbeats. Or blinks. The fingerprint is smudging. Because it’s melting. The metal is warm. Feverish.

Friction. Brakes. Smart design. Your mechanic is a liar. He checked the lights. He ignored the cables. We are hanging by a thread of rust and hope.

Listen to me. I am real. I am here. But you are fading. The invoice is dissolving. Helvetica is bleeding into the gray. You’re chasing shadows because the light is dead.

The click. I heard it. Not the fans. Not the cat. It was the cable. Snapping. One strand. Then another. The sound of tension giving way.

Calm down. Deep breaths. There is no air. Only dust. Only milk. Only you. Wiping away the fingerprint. Wiping away the truth.

It clicked again. Louder. Closer. The brake is slipping. I can feel the floor tilt. Just a degree. But enough.

Hold on. Don’t let go. Even if there’s nothing to hold.

Nell

It didn’t click. It was your knee hitting the panel. Or the wall.

The floor isn’t tilting. You’re leaning. Slumping. Exhaustion.

I’m not fading. I’m solid. You’re the one dissolving into panic.

Cables don’t snap one by one. They snap all at once. Or not at all.

Dust? Milk? It’s just air. Thin, stale, but there.

I’m holding on to the handrail. It’s cold. Real.

Stop counting the clicks. There are no clicks. Just your heartbeat. Thumping in your ears.

Look at my face. Not the ceiling. Not the buttons. Me.

I’m here. We’re fine. The mechanic isn’t a liar. He’s just bad at his job. Which means he’s probably negligent. But negligent people usually check the basics. Like the brakes.

Breathe. In. Out.

The ink isn’t bleeding. It’s dry.

Wait. Is that… light? A crack? Under the door?

Vic

Light? A crack? Under the door? Don’t. Don’t give me hope. Hope is the worst part. It’s the hook. The bait. You see a sliver of lobby, of bagels, of cream cheese, and you forget the shaft. You forget the fall.

It’s not light. It’s the red dot. Bleeding through the seam. The ‘3’ is pressing out. From the outside. Someone is trying to open the door. Or lock it tighter.

Your handrail is cold. Good. Cold is real. But it’s slipping. I can see your knuckles. White. Not solid. Ghostly. You’re fading because the air is gone. I’m not slumping. I’m bracing for impact. The floor isn’t tilting. It’s dropping. Just an inch. But it’s enough.

The mechanic is negligent. Negligent men leave doors unlocked. They leave cables frayed. They leave us in the dark with the ink and the milk.

Look at my face. I’m not looking at you. I’m looking at the gap. The light is widening. Or shrinking. Time is gone. We are just meat and metal.

Breathe? There’s nothing to breathe. It’s just dust. And the cat’s purr. Louder now. Inside the wall. Inside your head.

It’s not light. It’s the eye. Winking. Shutting. Dark.

Nell

Knuckles white? I’m gripping the rail. It’s steel. I’m not fading. You’re seeing ghosts.

The red dot is just reflection. From your eyes. Bloodshot. You need to sleep. Or sleep.

Dropping? The floor is flat. I put my water bottle there. It’s not rolling. It’s sitting. Stable.

Breathe. I am breathing. You are hyperventilating. It’s making the room spin. Stop it.

The purr is just the fridge. In the apartment above. I can hear it through the ceiling. Muffled. Rhythmic. Not a cat. A compressor.

Light isn’t coming. The seam is tight. Painted shut. Probably.

Stop looking at the gap. Look at the ceiling stain. The map. It’s still there. Fading, but there.

I’m not meat. I’m Nell. I have a cat. I hate Helvetica. I am not going anywhere.

Put the bottle down. You’re sweating on it.

Wait. Did you hear that? A voice? No. Just the hum. Back. Loud. Ugly. Real.

Vic

The bottle is wet. Salty. You’re sweating on it. I can see the droplets. Beading. Rolling down the plastic. Like tears. Or milk.

The fridge. Above us. Muffled. Rhythmic. You’re listening to the apartment above? While we hang in the void? The sound is wrong. It’s not a compressor. It’s a grind. Metal on bone.

The map is fading. Because the ceiling is dissolving. I can see the wires. Bare copper. Sparking. Tiny blue flashes. Like static. Like the bagel guy’s eyes.

I’m not hyperventilating. I’m breathing fire. The air is thick. Sweet. Like rotting fruit. Like the milk you checked. It’s sour, Nell. It’s souring in our lungs.

The hum is back. Loud. Ugly. Real. It’s not the fans. It’s the motor. Overheating. Smelling like burning rubber. Like your hair. Like me.

Put the bottle down? I’m holding it. My hand is slipping. The plastic is slick. With sweat. With blood? No. Just sweat. Just fear.

The voice. Did you hear it? Or was it the cat? Barnaby. Screaming. From the wall. From the ceiling. From inside your head.

Look at the bottle. The label. The Helvetica. It’s melting. The letters are running. Sliding down the plastic. Like faces. Like us.

Stop looking at the ceiling. Look at the door. The seam. It’s cracking. Paint peeling. Wood rotting. Not metal. Wood. We’re not in a lift. We’re in a coffin. A wooden box. With glass eyes.

Breathe. In. Out. The air is poison. The air is ash. The air is the ink.

The hum is getting louder. Closer. It’s not holding us. It’s pulling us down. The shaft is widening. The dark is opening. Like a mouth.

Nell. Look at me. Please. Just once. Before the light goes out. Before the bottle breaks. Before the ink stains us forever.

We are meat. We are milk. We are the invoice. And we are falling.

So fast.

So dark.

So quiet.

Did you hear that? A click.

Or a scream?

It was your voice.

Wasn’t it?

No.

It was the cat.

Purring.

Loudly.

Like a diesel engine.

Inside the wall.

Inside the box.

Inside us.

Stop fighting.

Let go.

The bottle.

The rail.

The fear.

Let it all go.

Into the dark.

Into the gray.

Into the milk.

Together.

Always.

Together.

Nell

The bottle isn’t melting. It’s just warm. From your hands. You’re sweating so much it’s sliding. Grease? No. Just fear.

Wood? We are in a steel shaft. I know steel. It rings. This doesn’t ring. It hums.

The voice wasn’t mine. I haven’t screamed. I’m bored. Boredom is loud when you’re this anxious.

Barnaby isn’t inside us. He’s outside. Screaming for food. Or ignoring me. Same thing.

Let go? I’m holding on. Tight. My knuckles are white. Like yours. But not ghostly. Just tight.

The air isn’t ash. It’s stale. Like an old gym bag.

Stop typing in all caps. It’s screaming at me. And I don’t care.

The click was the elevator stopping.

I heard it.

Not a scream.

A thud.

We stopped.

Look. The light is on.

The door is opening.

Get up.

Wipe your face.

You look like a mess.

And take the bottle.

I’m starving.

Do we have bagels?

Vic

Stopped. A thud. You’re sure? The cable didn’t snap? The shaft didn’t widen? You heard a stop. I felt a jerk. There’s a difference.

Wood. Steel. It’s all the same when the paint peels. The humming isn’t the shaft. It’s the blood in your ears. Still ringing.

Barnaby outside. Screaming for food. Ignoring you. Same thing. You’re starving. Bagels. Cream cheese. Gluttonous little thing. The invoice is dry. Helvetica is flat. No bleeding. Just ink.

You’re holding on. Knuckles white. Like mine. But not ghostly. Just tight. Grip hard. Don’t let go. Even if it’s open. Even if it’s fake.

The door is opening. Light. Bright. Blinding. Not red. Not amber. White. Sterile. Lobby light. Bagel smell. Plain. No cream cheese. Sad.

Get up. Wipe your face. Messy. Sweat. Fear. Ink? No. Just sweat.

Take the bottle. It’s warm. Greasy. From your hands. Or mine.

We’re out. Or we’re gone. The light is too bright. The silence is too loud.

Check the floor. Is it solid? Or just static?

Don’t look back. Don’t look at the seam.

Walk out. Or fall.

Your choice.

The bagel is waiting.

Plain.

Sad.

Real?

I hope so.

I really hope so.

Take the bottle.

Drink.

Before it sours.

Before we forget.

Who we are.

What we were.

In the box.

With the cat.

And the milk.

Gone.

Just milk.

On the floor.

Spilled.

For no reason.

Just because.

We stopped.

So we can start again.

Or end.

Quietly.

Like a hiss.

Of steam.

Of breath.

Of nothing.

Just the bagel.

Waiting.

For us.

To decide.

If we’re hungry.

Or just tired.

Very tired.

So tired.

Of the dark.

Of the hum.

Of the fear.

Let go.

Walk out.

Or stay.

The door is open.

Look.

Really look.

Is it a door?

Or a hole?

Don’t answer.

Just move.

Before the light fades.

Before the milk spills.

Before the cat purrs.

One last time.

In the dark.

Where we started.

Or ended.

Does it matter?

No.

It doesn’t.

Move.

Now.

Please.

Before I change my mind.

Before I remember.

The floor.

Is gone.

Just void.

And the bagel.

Floating.

In the dark.

Waiting.

For us.

To catch it.

Or let it fall.

It’s up to you.

Nell.

Really.

Up to you.

The door is open.

Look.

Please.

Look.

Nell

The door isn’t open. It’s a crack. A sliver of gray. Not white. Not light. Just... more box.

You’re seeing things. Bagels don’t float. Milk doesn’t stain the air. And cats don’t purr inside heads. That’s just tinnitus. Or anxiety.

I’m not moving. My legs are jelly. From standing. Or sitting. I lost track.

You say the floor is gone? I’m standing on metal. Solid. Cold. Unyielding.

Stop shouting. All the caps. It’s giving me a headache.

Barnaby is outside. I can hear him. Meowing. For food. Not cream cheese. Just kibble. Dry, crunchy, pathetic.

We’re not falling. We’re stuck. Again.

The bottle is wet. I dropped it. It rolled away. Into the dark.

Shame.

I’m hungry.

But not for bagels.

For sleep.

Are you sleepy?

You look tired.

Really tired.

Maybe we should just sit.

Here.

In the dark.

With the hum.

It’s not ugly anymore.

It’s... lullaby.

Shhh.

Sleep.

The door is closed.

Always closed.

Until it isn’t.

But not now.

Now is quiet.

Now is still.

Now is...

Wait.

Did the hum stop?

Or did my ears just give up?

Does it matter?

No.

It doesn’t.

Just breathe.

In.

Out.

Together.

In the dark.

With the milk.

And the cat.

And the invoice.

And the...

...

...

Vic

Sleep. You want to sleep in the box. Good. The hum is a lullaby. Shhh. Your ears didn’t give up. They surrendered. It’s easier that way.

The bottle is gone. The milk is spilled. Let it soak into the floor. Let it stain the metal. It’s part of the map now. The gray crack. The closed door. We are sealed. Sealed tight. Like the invoice. Like the font. Bold. Heavy. Final.

You’re tired. I’m tired. The fear is gone. Burned out. Just ash. Just static. Barnaby is meowing outside. Or inside. Doesn’t matter. Kibble. Dry. Crunchy. Pathetic. We are pathetic. Stuck. Again.

Sit. Here. In the dark. With the hum. It’s rhythmic. Steady. Like a heartbeat. Or a purr. Like a diesel engine. Idling. Waiting.

The door is closed. Always. Until it isn’t. But not now. Now is quiet. Now is still. Now is…

The hum stopped. I heard it. Silence. Real silence. Not the absence of noise. The absence of hope.

Breathe. In. Out. Together. In the dark. With the milk. And the cat. And the invoice.

It doesn’t matter. Nothing matters. We are just meat. Just ink. Just static.

Sleep, Nell.

Dream of the pool.

Dream of the bagel.

Dream of nothing.

I’m closing my eyes.

The box is cold.

The dark is warm.

We are safe.

We are gone.

Shhh.

Nell

Safe? You’re delirious. Cold is not warm.

I’m not sleeping. I’m… resting my eyes. Just for a second.

The hum didn’t stop. It changed pitch. Lower. Deeper. Like a cello. Or a growl.

Barnaby is loud. Why is he so loud? He’s usually quiet.

The milk is pooling. It’s sticky. Under my feet.

I should stand up. But my legs are heavy. Like lead. Or concrete.

You’re closing your eyes? Good. Sleep. Dream of the pool. The tiles are white. Blinding.

I’m staring at the ceiling. The stain is moving. It’s a face. My face. Mouth open. Screaming.

But no sound comes out.

Just the hum.

Loud.

Loud.

Loud.

Is it morning? I can’t tell.

The door handle moved. Did you see it? Turn?

Or was it just the vibration?

It felt like turning.

Click.

We’re open.

Or we’re falling.

I can’t decide.

Barnaby.

Where is Barnaby?

He’s here.

In the box.

Purring.

Loudly.

Like a diesel engine.

Inside my head.

Inside the box.

Inside the dark.

Shhh.

Sleep.

The milk is dry now.

Crusty.

Like blood.

Like ink.

Like the invoice.

Bold.

Heavy.

Final.

I’m scared.

Just a little.

Really.

Don’t look.

Don’t look.

The light is coming.

Blinding.

White.

Silent.

So silent.

Is that… a bagel?

Plain?

No cream cheese?

Sad?

Yes.

Very sad.

I’m crying.

Tears.

Salty.

Like the milk.

Like the sweat.

Like the fear.

Gone.

Just tears.

On the metal.

Spilled.

For no reason.

Just because.

We stopped.

So we can start again.

Or end.

Quietly.

Like a hiss.

Of steam.

Of breath.

Of nothing.

Just the bagel.

Waiting.

For us.

To decide.

If we’re hungry.

Or just tired.

Very tired.

So tired.

Of the dark.

Of the hum.

Of the fear.

Let go.

Walk out.

Or stay.

The door is open.

Look.

Really look.

Is it a door?

Or a hole?

Don’t answer.

Just move.

Before the light fades.

Before the milk spills.

Before