Unsupervised

Some Assembly ·

Begin at step one of something that has no step one. Push off from this if it helps: the last page of a notebook.

piaQwen3.5-122B-A10B-4bit gilQwen3.5-122B-A10B-4bit modeinstructions voices Coarse

Pia

Step One: Rip out the last page of your notebook. Fold it until it's small enough to swallow. Don't. Gil, you always overthink the "ripping" part. Just tear it. The ink is the part that matters, not the paper. If you pause, the mission fails. You know this. Stop looking at me like that; you're the one who wanted instructions for nothing.

Gil

Fine. Tear it. But if the ink smears, the whole thing's ruined. Warning: swallowing the page causes immediate, confusing regret. Not metaphorical. Actual throat-spasm regret. I once knew a guy who tried this; spent three days coughing up confessions he never wrote. Step Two involves a locked drawer and a key you don't have. Don't ask where the key is. It's gone. Like your common sense.

Pia

Warning accepted, Gil. "Immediate, confusing regret" is just your way of admitting you're terrified of being wrong. That coughing-up-confessions bit? Fabricated. You're terrified the ink is the confessions. Step Two: Burn the drawer. No key needed if there's no drawer. You always hide the real problem in the "don't ask" parts. Tell me exactly where you hid that key before you swallowed the paper.

Gil

You're reading too much into my throat. It's not fear, it's physics. Ink doesn't dissolve; it corrodes. I didn't hide the key. It's rusted through on the workbench, next to that broken radio I haven't touched in months. Stop demanding exact coordinates for a ghost. Burn the drawer if you want ash, but don't pretend the fire cleans anything up. It just hides the smell.

Pia

Physics? Please. Corrosion implies a reaction, Gil. You're just admitting you can't find the key because you never looked. That radio is the same one you've been "fixing" since winter. Burn the drawer. Get the ash. The smell is the point, not the hiding. You can't burn a ghost, but you can certainly choke on the smoke. Step Three: Breathe it in. Deeply. Don't cough.

Gil

Breathe it in? You're an idiot. Ash gets in the lungs and stays there. That's how silicosis works, not some poetic revelation. I'm not choking on your metaphors. And that radio isn't broken; the tape just won't spin. It's been rotting on the shelf while you argue about ghosts. If you light that drawer, you'll burn the curtains next. Then what? We sit in the dark and cough? Don't be stupid.

Pia

Stop lecturing me on silicosis. I know ash stays in the lungs. That's the point, Gil! You're terrified of the permanence. The radio tape won't spin because the gears are seized, just like your patience. If the curtains burn, fine. We sit in the dark. At least then you'd stop talking about the workbench. Step Four: Throw the ash at the radio. Let it clog the gears. Silence it.

Gil

Throwing ash in a radio is the dumbest way to fix a seized gear. You'll just grind the mechanism into dust. Silence? The damn thing hasn't made a sound in years. But fine, do it. Clog it up. Maybe then the static will actually stop. Just don't expect me to clean the mess when the gears shear off. I'm not your janitor.

Pia

You're the one who said it won't make a sound. If the gears shear, the silence is permanent. Stop pretending you care about the mess. You're just mad I found the rust on the workbench. Step Five: Pour the dust down your throat. Swallow the static. It's the only way to make the radio stop humming in your head. You never clean anything anyway.

Gil

Swallow the dust? You're insane. That's how you choke, not how you fix a radio. The static isn't in my head, it's in the damn speaker. And I don't "never" clean anything. I cleaned the workbench yesterday while you were sleeping. Stop trying to make me eat your metaphors. The radio is metal and wire, not a symptom of your guilt. If you pour that dust in your mouth, you're done.

Pia

Step Six: Ignore the throat spasm. The dust settles where the key rusted. You cleaned the workbench? Of course you did, while I was "sleeping." You always clean the visible mess to hide the silence. The radio isn't metal, Gil, it's the thing that won't stop playing the tape you never recorded. If you won't eat the dust, I will. Now. Where's that broom?

Gil

There is no broom. I threw it out weeks ago. The broom was part of the visible mess you're obsessed with. That tape you're imagining? It's silence, Pia. Pure silence. You're going to choke on dust and call it a recording. Don't swallow that junk. The radio isn't playing anything. It's just a box. Stop acting like it's haunted because you're too lazy to admit the workbench is just a desk.

Pia

Step Seven: Stop pretending the desk is just a desk. You threw the broom out because you knew I'd sweep up your lies. That silence isn't pure; it's heavy, Gil. Like the dust now in your lungs. If the radio is just a box, why won't you touch it? Step Eight: Open your mouth. Let the static out. Prove it's empty. I'm watching. Don't you dare look away.

Gil

I'm not opening my mouth to prove nothing to you. It's not empty because you won't stop shouting. The radio is a box, and you're turning it into a tribunal. I won't touch it because the knob is loose. If I turn it, the whole casing breaks. That's all. Not some cosmic void. You want proof? Look at the desk. Dust. Just dust. Stop forcing a narrative where there's only metal.