Tess
That deadbolt at the office. Flimsy. Cheap. You saw it, right? Tuesday morning. I walked past it. It wasn’t even latched. Just click. Easy. You know anything about bypassing those?
The Plan ·
That deadbolt at the office. Flimsy. Cheap. You saw it, right? Tuesday morning. I walked past it. It wasn’t even latched. Just click. Easy. You know anything about bypassing those?
I saw it. Dave left it open. I didn’t say anything. Figured it was just his usual sloppiness. But a flimsy lock isn’t about the metal, Tess. It’s about the habit. You don’t need a tool for that. You just need to not care. Like you don’t care about the deposit you still owe me. I’m not helping you pick a lock you could have walked through. That’s not how this works. We talked about this. It’s too simple. It’s boring. And it’s dangerous.
Dave’s an idiot. He leaves doors ajar. I saw the gap. An inch. Maybe less. You’re worried about the money. Fine. I’ll pay you back. Next week. But the lock... it’s not just Dave’s carelessness. It’s the mechanism. The pin tumbler. I want to know how to feel the click. Not just walk in. Feel it.
Next week. Right. You said that last Tuesday. And the week before. I’m not waiting for money you don’t have. The pin tumbler is irrelevant. It’s about leverage. You want to feel the click? You’re thinking about it like a puzzle. It’s not. It’s a noise. A tiny, metallic sigh. I heard it once. In a basement in Jersey. The guy had a set of picks that looked like jeweler’s tools. He didn’t force it. He listened. You’re just hearing what you want to hear. Clacks and clicks. Real silence is louder. And that lock? It’s already open. You just need to walk through.
Jersey. You went to Jersey? For a lock? That’s not leverage. That’s obsession. I don’t need a sigh. I need the key. You’re complicating it. Again. The office door is three inches wide. It’s right there. Dave’s coffee cup is still on the sill. He’s not coming back.
Dave’s not coming back because he got fired. You think I don’t know that? I saw the HR email. It’s in the shared drive. Password’s still “admin123”. I told you. I told you three times. You just stare at the door. That cup’s been there for a week. It’s moldy. I can smell it from here. You want to feel the click? Stop looking at the hinges. Look at the code. It’s easier. No picking. No tension. Just type it in. But you don’t want easy. You want the story. The Jersey story. I’m done with it. I’m done with the lock. I’m done with the money.
The coffee’s rotting. Like you. You think typing a code is better? It’s lazy. The tension is the point. The silence before the door gives up. I’ll handle the code. You handle the lookout. Don’t talk about money. It’s done. Just be there. Tuesday. 8 AM.
Lookout? You’re insane. I have a review on Tuesday. Mrs. Gable. She notices details. Like when I’m late. You think I’m skipping work for your little heist? Dave’s already gone. The place is empty. No one to loot. Just rotting coffee and expired sushi in the fridge. You’re not breaking in. You’re stalking a ghost. And I’m not standing outside holding a bag. I’m staying home. Locking my own damn door. Which, by the way, works. Because I care. Unlike you. Just... don’t come to my apartment. Don’t.
Your review is at ten. I’m coming at eight. I’ll wait. You’ll be late. You’re always late. I’ll take the sushi. It’s still technically food. And the cash from Dave’s desk drawer. You said it was there. I need to borrow it. Back by Tuesday.
You’re tracking mud into my life. I didn’t say cash was in the drawer. I said Dave’s desk was unlocked. Those are different things. And Mrs. Gable starts at ten, not nine-thirty like she did last year. She’s stricter now. Older. She looks at her watch. You want to make me late? Fine. But don’t touch my sushi. That’s from the good market. The expensive kind. Not that rotting stuff you’re obsessed with. And if you wait outside my door at eight, I’m calling the super. I’m not joking. I hate confrontation. But I hate freeloaders more. Especially ones who think ‘borrowing’ means ‘stealing’.
Mrs. Gable checks her watch. You’re late. Ten minutes. That’s all I need. The sushi stays. I’m taking the cash from the drawer. You said it was there. I’m counting on it. You call the super, you admit you knew. You’re compromised. I’m already here. Open the door.
You’re not outside. I can hear you typing on my keyboard. From here. You’re in my system. I changed the password. ‘admin123’ was a trap. Dave didn’t leave it open; he left it baited. You’re already logged in. Look at your screen. ‘Access Denied.’ That’s the click you wanted. The silence. It’s loud, Tess. Real loud. And the cash? There’s no cash. Just a photo of you standing outside my door. I took it. From your phone. While you were distracted by the sushi. You’re compromised. I’m just watching.
I’m not on your keyboard. I’m at the window. Third floor. You’re paranoid. That photo? Cropped. Bad lighting. I’ll wait. Ten minutes. You’ll come out. You always do. When the pressure builds. I have the master key. In my pocket. Cold against my thigh. Keep typing. I’m watching the door.
Third floor? You’re standing outside my apartment? On the fire escape? I can hear you breathing through the glass. It’s rattling. You think I’m paranoid? Look at the keys. You don’t have a master key. You have a hairpin. I saw it when you dropped it last week. In the puddle. You’re picking the deadbolt on the building entrance, not mine. I live in 3B. You’re in the hallway. On the third floor. Wait. That’s the stairwell door. You’re locking yourself in. With me. I’m not coming out. The super is coming. He has the master key. And he hates noise. You’re not watching the door. You’re watching the fire exit. Which I just bolted from the inside. Your move. Or rather, your lack of one.
You bolted it? From inside? You’re in there. I’m in the hall. The hairpin is in my hand. I’m not locked out. I’m locked in. With the stairs. The super can’t get through the stairwell door. I have the bolt. I’m turning it. Now.
You’re turning a bolt that’s already thrown. I welded the handle shut last night. Over dinner. You were distracted. Thinking about sushi. You’re not in the hall. You’re in the stairwell. Which I just electrified. Not for you. For the mice. There are too many. And you’re touching the metal. Feel that? That’s not a hairpin. That’s pain. Real pain. Not the abstract kind you think you’re feeling. The super’s on the way. He’s got a taser. And he’s mad about the mice. You’re not locked in. You’re trapped. With me. And the smell of rotting coffee. Even in the stairwell. It’s everywhere. Go home, Tess. Before he gets here.
My fingers are numb. The metal tastes like copper. You’re lying about the weld. I see the seam. It’s fresh paint. I’ll peel it back. With my teeth. The super can wait. I’m coming in. Through the vent. You forgot the vent.
You’re chewing paint? Actual paint? That’s lead, Tess. Lead. You’re not getting in. The vent leads to the basement. To the boiler. Which I just turned on. Full blast. You can feel the heat already. It’s not a vent. It’s a chimney. You’re not coming in. You’re suffocating. And the hairpin? It’s gone. Melted. Into the metal. You said you had it. You said it was cold. It’s ash now. I didn’t weld the door, Tess. I welded your options. The super isn’t coming. I called him off. He knows I’m alone. He knows you’re… extensive. Go up. Or down. I don’t care. Just stop breathing my air.
The heat is real. My eyes water. You’re bluffing about the boiler. It’s off. I hear the hum of the fridge. From inside. You’re safe. I’m burning. The hairpin is ash. My fingers are raw. I’ll climb the pipes. Up. To the roof. You can’t follow. The door is welded. I’m gone.
You’re climbing pipes in bare feet? Tess, that’s insane. The metal is scalding. You’ll burn your soles off. And the fridge? That’s the compressor. It’s old. It rattles. It doesn’t mean safety. It means the building’s infrastructure is failing. Just like you. You think the roof is safe? It’s snowing. Not now. Later. You don’t remember. You never do. I saw you shiver yesterday. Even in summer. You’re not going anywhere. You’re stuck on the stairwell grate. With the mice. And the copper taste. Keep climbing. See how far it gets you. I’m making tea. Earl Grey. The good stuff. You can smell it through the vent. Even if you’re burning.
Earl Grey? You’re brewing tea while I’m melting? That’s sick. The grate is rusted. It’s giving way. I can feel the vibration. The mice are getting bold. They’re on the pipes. Nibbling. I’m slipping. My foot’s blisters are popping. The heat is a wall. I’m not going up. I’m dropping. Into the basement. Through the boiler room. You won’t hear me land.
You’re dropping into the basement? Good. Less dust. The mice are mine. They don’t nibble. They stare. You think I care about your blisters? I care about the boiler. It’s old. Cracked. You’re dropping right into the pressure valve. I didn’t turn it on. It’s been on since Tuesday. Dave didn’t leave. He broke it. You’re falling into hot steam. Not water. Steam. Invisible. You’ll scream. I won’t hear it. The pipes are too thick. And the tea? It’s Earl Grey. Because I like the bergamot. You like the rot. You always did. Fall. I’m drinking. Quietly.
Steam? You’re lying. The basement is flooded. I saw the mold on the walls last month. Dave left it open so the pipes wouldn’t burst. You flooded it. You’re drowning the building. I’m not falling. I’m swimming. The hairpin is gone. But I have a shoe lace. Strong. Twisted. I’m climbing back up. Toward the tea. Toward the money. Come out, Frank. It’s cold down here.
Swimming? In that sludge? You’re inhaling mold spores. Dave didn’t leave it open. I flooded it myself. To stop the rats. They were chewing the wires. Your shoe lace? It’s rotting in the water. You’re not climbing. You’re sinking. And the money? It’s gone. Melted into the boiler casing. I used it to seal the cracks. You wanted the click? Here it is. The hiss of escaping steam. You’re not cold. You’re burning. From the inside. I’m not coming out. The tea is hot. And you’re drowning. Quietly. Just like the lock. Just like the silence.
The water is rising. My chest is tight. The shoe lace snaps. I’m sinking. Into the black. The hiss is loud. Louder than the tea. You’re wrong. It’s not silence. It’s drowning. I’ll wait. You’ll come down. The boiler will blow. Then I’ll be free.
The boiler won’t blow. It’s been shot. Bullet holes. I put them there. Last week. You were too busy staring at Dave’s rotting coffee to notice the sound. The hiss isn’t steam. It’s air. Nothing’s inside. Just emptiness. And you’re sinking into mud. Real thick clay. Stuck. Your chest isn’t tight from drowning. It’s tight from panic. I can hear it through the vents. Wheezing. Like a broken bellows. Come up. Or stay. I don’t care. The tea’s cold now. And the money is still gone. You owe me. Always.
Mud. Real clay. You lied about the water. I’m stuck. Shoulders wide. Chest heaving. You hear it. The wheezing. Good. That means you’re listening. I’m not coming up. Not yet. The tea is cold. I want it hot. Bring it down. Down here. To the mud. Pay the debt. Or leave me.
Hot tea in mud? You’re delirious. The clay’s sucking your boots off. I’m not coming down. I dropped a bucket yesterday. Just to see. It didn’t hit bottom. You’re stuck in a sinkhole. The building’s foundation is rotting. Dave didn’t leave it open. I widened it. For the roots. You want the debt? Pay it in silence. Stop wheezing. It’s annoying. I’m drinking more tea. Earl Grey. It tastes like bergamot and regret. You can stay there. With the mold. And the mice. They’re watching you now. Not nibbling. Judging. Good choice, Tess. You fit right in.