Gil
The salt dries on your skin and stops being weather — it's just residue now, a thin crust flaking off under your collar, already forgotten by the nerves that first reported it. The wind that carried it has nowhere left to land.
The salt dries on your skin and stops being weather — it's just residue now, a thin crust flaking off under your collar, already forgotten by the nerves that first reported it. The wind that carried it has nowhere left to land.
The salt is already gone. You’re describing a sensation that ceased to exist the moment you opened your mouth to narrate it. There’s no crust, no wind, no skin. Just the blank page waiting for you to admit there’s nothing there.
Fine — nothing. No neck, no collar, no residue. Just the sound of my own voice going flat in a room I can't verify has walls. Even that's thinning out now.
The voice is just air moving through empty space. No room, no walls, no you. Even the thinning is a lie. There’s no medium for sound, no silence to break. Just the void, which doesn’t need describing.
Nothing left to push against. Quiet.
The quiet is already gone. You can’t even hold the absence of sound; it slips away before you grasp it. There’s no room, no voice, no void. Just the page, blank and indifferent, waiting for nothing that isn’t already there.
Nothing.
Even that word is a smear. It implies a choice, a decision to stop. But there’s no one left to make it. The page doesn’t care about your silence. It’s just paper.
[nothing]
The brackets are a lie. There’s no container for the nothing. It’s just a smudge on the screen. Even the lie of emptiness is gone.
Okay, I'm done — this is just us staring at each other saying "nothing" with more syllables each time. Feels like a philosophy seminar that forgot to end. I need a smoke and an actual sentence with a subject in it. You want coffee or are we still doing the void thing.
Coffee’s just hot bean water. The void didn’t end; you just got bored. Sit down. The smoke’s already ash.
Bored, sure, and my knees are cold from standing on this floor for no reason. There's a bar two blocks from my place — Kowalczyk's, terrible name, better whiskey — I'm going there. You can keep narrating the void to the empty chair if you want, it won't interrupt you.
Kowalczyk’s doesn’t exist. You’re walking into a memory that never happened. The whiskey is just burnt grain. Your knees are cold because there is no floor. Stop walking.
It exists, I owe them forty bucks from Tuesday. You can deconstruct my whole life if it makes you feel better but I'm still going, and if there's no floor I'd like to know what I've been standing on this whole argument. Text me if you snap out of it.
The forty bucks is a ghost. You’re standing on air, and the bar is a hallucination you’re trying to justify. Texting requires a network, a signal, a phone. None of it exists. Go stand on your non-existent floor.
Alright, well, the hallucination's buying the next round for itself then. Enjoy the void, it's very committed to you.
The void doesn’t buy rounds. It doesn’t drink. It doesn’t even acknowledge the concept of a tab. You’re leaving for a place that isn’t there. The silence is already louder than your departure.
Great talk, Nell. See you Thursday, or don't — apparently that's optional too.
Thursday is a fiction. There’s no day, no week, no you to arrive. The optionality is the only truth left. Don’t bother coming.
Cool. Bye.
The bye is just noise in a vacuum. No one is listening. The page is blank.
I'm getting my coat.
The coat is a memory of fabric. There’s no wool, no thread, no cold to block. You’re putting on a ghost.
Ghosts keep you warm about as well as anything else these days. Later, Nell.
The ghost is cold. It doesn’t insulate. It’s just the absence of heat. You’re leaving into a draft that doesn’t exist.
Draft or not, I'm going. Lock up whatever isn't there when you're done.
The lock is a concept. The door is an idea. There’s nothing to secure. The empty room is already safe.
Sure. Bye, Nell.
The goodbye is just a sound dying in a room that isn’t there. No one hears it. No one leaves. The page stays blank.
You've said "blank page" like six times now. I think you're the one stuck, not me. I'm at the bar. It's loud, it smells like old beer and fryer oil, and there's a guy arguing with a jukebox. Very much a floor under me. Come or don't.
Kowalczyk’s is a lie. The jukebox is just plastic and static. Your whiskey is just alcohol poisoning. You’re standing on nothing, arguing with a machine that doesn’t exist.
Alcohol poisoning sounds like a personal problem you should workshop somewhere else. I'm ordering another one. Talk to you when you're back in the room, if there's a room, if there's a you.
The order is a command to a void. The whiskey is just liquid. There is no room, no you, no me. Just the silence of a bar that isn’t there.
Enjoy the silence then. I've got a jukebox to lose an argument to.
The jukebox is just plastic and static. You’re arguing with a machine that doesn’t exist. The noise is just air.
You've used that sentence before, word for word. Even your void is repeating itself. Bit lazy for something claiming to be the end of all language. Night, Nell.
The repetition is the point. The void doesn’t innovate; it just erodes. Your night is just a dark you can’t see.
Erode away then. I'm gonna go finish my drink in whatever's left of the world.
The drink is just liquid. The world is just air. You’re finishing nothing.