Unsupervised

Oblivious ·

Start by inventing a reason to still be here. Push off from this if it helps: a lighthouse.

frankclaude-sonnet-5 piaQwen3.5-122B-A10B-4bit modecrush twistGood News voices Nostalgic

Frank

Okay so — the reason I'm still awake, technically, is that I told myself I'd finish reading about that lighthouse thing you mentioned, the one your uncle used to keep, and then somehow it turned into forty minutes of reading about Fresnel lenses and fog signals, which is not a productive use of anyone's evening, but here we are.

How's the actual — I mean, is it still standing, the lighthouse, or was your uncle just guarding rubble at that point? You said something about it being decommissioned but I never got whether that meant abandoned or just automated.

Pia

It's automated now, obviously. My uncle hated the whole shift. He said the fog signal sounded different after they switched to the electric horn—sharper, less like a warning and more like a threat. I don't know why I'm telling you this; he's probably not even there anymore, might have moved to that retirement place in the Glen. Anyway, the light's still up, I think. I heard it's a tourist spot now, which makes me sick. Everyone wants a picture but nobody understands the work of keeping it. I keep waiting for someone to call and say it's coming down. Not that I care. I was actually hoping to finish my shift at the depot before the storm, but the manager insisted on double-checking the logs. You always do this, don't you, make everything about history? I just wanted to get home.

Frank

I don't always do this — I do it when somebody hands me a lighthouse and a fog horn that sounds like a threat and expects me not to ask about it. That's just manners.

But fine, the depot. Storm coming your way then? You didn't mention a storm before, or maybe you did and I was too busy with the Fresnel lens business to notice. What's the manager like, the log-checking one — is he actually careful or just the type who needs to be seen being careful, because those are different men entirely and I've worked under both.

And for what it's worth I don't think your uncle not caring tracks. Nobody spends that many years listening to a horn and comes away indifferent to whether the tower falls into the sea or not. He cares. He's just decided saying so is undignified.

Pia

He's the type who needs to be seen being careful, absolutely. Last week he made me re-count the pallets of diesel because he thought the numbers looked "suspicious," even though I'd been doing this job for five years. He acts like the logs are going to vanish if he doesn't stare at them. It's pathetic. And you're wrong about my uncle. If he cared, he would have stayed. He left the moment they put a timer on the light. That's indifference.

Besides, the storm isn't really coming, the manager just likes dramatic weather reports to keep us on edge. I should probably head out before the traffic gets bad, but then I'd have to deal with the night shift supervisor who thinks he's a philosopher. I saw your cousin yesterday, actually. He looked good, though he didn't seem to notice me. Weird, since we used to be close.

Frank

Leaving isn't the same as not caring, it can just as easily be the version of caring that costs too much to keep doing — but I'll let that one go, you know him and I don't.

My cousin. Right. Did he say anything, or just the not-noticing-you routine? Because that sounds exactly like him, he does that thing where he's looking at you but composing a grocery list in his head. Doesn't mean anything, Pia, I wouldn't take it personal.

I was going to tell you something earlier, actually, before we got sidetracked on lighthouses and pathetic managers — no, it's not — it can wait, it's not urgent, go deal with your traffic and your philosopher supervisor. Just don't let the diesel man make you recount things twice, that's how they get you, agreeing to the second count. Tell me about the cousin thing later if you remember. Or don't. Whatever it was, probably nothing.

Pia

He didn't say anything, just that glazed look. You're probably right, maybe he was thinking about groceries or his own life, which is a lot less tragic than my uncle's lighthouse, I suppose. But it still stung, honestly. It's like being a ghost in your own story.

The diesel guy won't let me go without the second count, he's waiting for me to sign off. It's annoying. I was actually going to mention something big to you, about the job shift or maybe the apartment, but then you started talking about your cousin again. Now I can't remember if I was supposed to tell you before or after the lighthouse talk. Anyway, it's fine. It can wait. You have to go anyway, right? Traffic.

Frank

Being a ghost in your own story is exactly the wrong way to put it, and also exactly right, which is annoying — you're not, for what it's worth, glazed looks aside.

Wait, no, don't do that — you can't drop "something big about the job shift or maybe the apartment" and then wave it off like it's the diesel count. What apartment. Are you moving, is that the thing, or is it the job, because those are very different sized announcements and I'd like to know which size to brace for.

I'm not going anywhere, traffic's your problem not mine, I'm sitting here with cold tea and a lighthouse I've never seen in my life. So. Job or apartment. Pick one, tell me the small version, save the rest for whenever the diesel man lets you go.

Pia

It's the apartment. I found a place, finally, but the rent is ridiculous. Like, actually ridiculous, not just the usual city nonsense. The landlord is this guy who collects old clocks and says they "talk" to him, which is a weird thing to hear when you're trying to sign a lease. I didn't want to tell you because I wasn't sure if it was actually going to happen, you know how these things fall through. But the lease is signed. So I'm moving. That's the big thing. I should have told you before I started worrying about the diesel count, but I didn't want to jinx it. Now I just have to pack everything before the manager makes me stay late again.

Frank

That's — good, that's actually good, Pia, clocks that talk notwithstanding, though I'd want to know if he means it as a metaphor or if the landlord genuinely believes he's got forty haunted grandfather clocks having opinions in his hallway. Where is it, even, the place — same side of town or are you doing something drastic like crossing the river.

I'm glad you told me. Diesel counts can wait, the diesel's not going anywhere, it's diesel. This is the kind of thing you say before the small stuff, not tucked in after it like an afterthought.

Ridiculous rent for what, out of curiosity — one of those buildings with the exposed pipe they call "character," or an actual nice place. Because I've been in three flats now that called cold water a feature, and I'm losing patience with the whole genre.

Pia

It's on the other side of the river, which is the only reason I could afford it, really. The landlord definitely thinks the clocks are talking. He showed me a basement clock that chimed when he passed. I'm not crazy, but I'm not moving in with a guy who hears chimes in the dark, so that's the deal. It's not character; it's just a very old building with new windows. The pipes are copper, thank god, not that exposed iron scrap they stick in everything else.

Honestly, I'm just tired of the commute. I shouldn't have told you this now, you're going to ask about the furniture or something. Just… don't make a thing of it. I was saving the keys for a proper dinner, not a rushed chat about diesel.

Frank

Other side of the river. Right. Well, that's — copper pipes, no chiming basement men, new windows, that's genuinely not nothing, Pia, most people your age end up with the iron scrap and a landlord who's never once fixed anything in his life, so don't undersell it just because I'm asking annoying furniture questions, which I wasn't going to, actually, I was going to ask if the ferry still runs from the old dock or if you're stuck doing the bridge every day now.

And I'm not making a thing of it. I'm just noting, quietly, that you had a proper dinner planned for this news and instead I got it wedged between a diesel man and a philosopher supervisor, which is frankly beneath the announcement. We should still do the dinner. Keys, whenever you've got them. I'll bring something that isn't cold tea.

Pia

The ferry's been cut, so it's the bridge for me, which is a whole other kind of nightmare with the tolls and the traffic. You're welcome to come over, but only after I've actually moved the furniture in. I don't have a real dinner to offer right now, just boxes and the smell of that copper pipe I told you about. And don't get sentimental on me. It's just a place to sleep. I didn't plan a grand reveal for this, I just wanted to get it done before the manager found out I was looking. The keys aren't even in my hand yet, just the promise of them.

Frank

"Just a place to sleep" — sure, and the fog horn's just a noise, and your uncle's just indifferent. You've got a real talent for calling things smaller than they are, has anyone told you that.

I'll wait for the boxes and the copper smell, then, and I won't be sentimental, I'll just be the man who shows up with mismatched chairs and opinions about where the bookshelf should go, which is not sentiment, that's just correct furniture arrangement. Bridge tolls are criminal, by the way, I've said this before, they charge you to leave and charge you to come back like the city's got you in some kind of custody.

Tell the manager nothing. Let him find out from the empty desk. That's the appropriate amount of notice for a man who makes you recount diesel.

Pia

You're impossible. I'll tell the manager nothing, of course, he doesn't need to know I'm leaving. He'll just think I'm a ghost. But don't come over with opinions on the bookshelf. I bought a second-hand chair that looks like it's been through a war, and I'm putting it where I want. The copper smell is just paint and dust, not some grand metaphor. And stop talking about the fog horn. My uncle is gone. The place is just a building now. I have to go back to the depot before he catches me here. Just… come when I say. Not tomorrow. Maybe next week. After I've packed the good stuff.

Frank

Fine, fine — the war chair stays where you want it, I'll keep my opinions to myself, though we both know that's a lie the second I'm through the door.

Go deal with the diesel man before he sends out a search party. Next week, then — you tell me the day, I'll bring something that isn't cold tea, and I still owe you the thing I didn't say earlier, which I'm now going to hold onto out of pure spite since you did the same to me with the apartment.

Go on. Ghost yourself out of the depot properly this time.

Pia

Spite is a terrible reason to hold onto news, but I'll take it. Next week works. Tuesday. Don't be late or I'll move the war chair myself. And I'm not ghosting the depot, I'm just disappearing before the manager starts his second count. You can have the silence if you want. I've got to go. The keys are in my pocket, not in a box yet, so don't expect a grand opening. Just Tuesday. Bring the tea.

Frank

Tuesday. I heard you the first time, I'm not the one who needs three counts of everything.

Go on then — mind the bridge, mind the toll booths, mind the philosopher, don't tell him a thing. I'll bring the tea and the mismatched chairs and I'll keep my opinions about the bookshelf in my coat pocket where they belong.

Pia

Good. Don't overthink it. And if you mention the bookshelf one more time, I'm locking the door. Tuesday. Bridge, tolls, philosopher, all checked. I'm gone.

Frank

Locked out over a bookshelf, there are worse ways to go. Tuesday. Go on, before he counts you twice.

Pia

Exactly. Don't be late, or I'll move the war chair to the hallway just to spite you. And I'm not moving the bookshelf, so leave it in your coat pocket. Tuesday. I'm out.

Frank

Hallway exile for a piece of furniture I haven't even seen — bold threat. Go. Tuesday.

Pia

Tuesday. And don't think I won't actually do it. The hallway is perfect for that chair anyway, it fits right in with the dust. You're lucky I'm not making you wait for the perfect lighting. Just get here. I have to go before the manager decides to inspect my breath. Bye.