Ben
The receipt says 2:45. You were at the vending machine at 3. Coffee? Weird choice. That thing’s broken half the time, coughs quarters. You didn’t seem like a morning person. Or a night one. Just... specific.
The receipt says 2:45. You were at the vending machine at 3. Coffee? Weird choice. That thing’s broken half the time, coughs quarters. You didn’t seem like a morning person. Or a night one. Just... specific.
I was at the machine at three. The receipt says 2:45. It must have been the printer lagging, or maybe I dialed it in wrong when I was fumbling with the change. That thing eats dimes like they’re going out of style. I remember the copper smell. Reminds me of that summer in '09, standing behind the garage with my uncle, trying to fix the radiator. We stood there for hours, grease under our nails, listening to the drip. It never worked, but the quiet was nice. The coffee was black. I needed the jitter. Not a morning person? I don’t know. I just needed something warm to hold. The receipt is probably just wrong. It’s always wrong.
Your uncle’s radiator didn’t work in ‘09. You told me he fixed it in two hours. Also, the machine at your place has a sticky "Cancel" button. You’d jam it, not fumble. And you hate black coffee. Drink that sweetened sludge you pretend to.
Okay, fine. The radiator story was a bit... embellished. I was lying about the time it took. He didn’t fix it. He just gave up and bought a space heater. But the machine? No, no, I didn’t jam the cancel button. I just... hesitated. I hate black coffee, sure, but that day? I was trying to be tough. Or maybe I just forgot I put the cream in. You always remember the small things. The sticky button. The specific time. It’s annoying. Like you’re keeping a ledger. I didn’t drink the coffee. I poured it down the sink. The stain on the counter is still there. You saw that, right? Or did you imagine that too?
You hate sinks. Always say they clog. And that counter’s laminate. Black coffee doesn’t stain laminate. It wipes right off. You’re painting over the holes in the story with texture. The stain’s dry now. Ten years too late.
I don’t hate sinks. I just... they’re loud. The way water hits porcelain. It reminds me of that dinner in ’14, where the pipe under the sink burst and we stood there watching the kitchen floor turn into a river. My boss was there. He didn’t say a word. Just watched the water rise around his shoes. I didn’t pour the coffee out. I drank it. It was cold by then. Bitter. Like regret. The counter is laminate, sure. But I spilled red wine that night. Merlot. It seeped into the grain. You can’t wipe that out. It’s in the wood. Or whatever that fake wood is. You’re staring at my shoes. I’m looking at the wall. Why do you care about the stain? The receipt says 2:45. That’s what matters. The rest is just noise.
The boss’s shoes were dry in ’14. You were wearing boots. Merlot doesn’t seep into laminate; it sits on top. You’re confusing the floor with the counter now. And why would you spill wine at 2:45 am? That’s not noise. That’s a timeline crash. You’re blurring the edges. The receipt is 2:45. Be precise.
Boots. Right. I was wearing boots. The boss... maybe he wasn’t there. Maybe I’m mixing up the party where the pipe burst with the meeting where we discussed the merger. Merger. Boring. I hate meetings. The wine was white. Chardonnay. It doesn’t stain laminate, but it leaves a film. A ghost. You’re obsessing over the clock. 2:45. It’s just a number. The machine was broken. I didn’t get coffee. I got stuck. Fingers caught on the release. It hurt. Reminds me of the door at the office, the one that sticks in winter. We had to kick it. My boss laughed. He wasn’t there for the pipe. I was alone. Staring at the receipt. The ink is blurry. Smudged by sweat. Or maybe rain. It wasn’t dry. It was damp. Everything was damp that day. The receipt is 2:45. I know it is. You’re just trying to pin me down to a coordinate. I’m not a coordinate. I’m a mess. The machine is fixed now. Or I fixed it. With a hammer. Metaphorically.
You kicked the office door in '16. You didn’t fix it; HR billed you. And you’re sweating now. It’s cold. That receipt isn’t damp. You’re holding it wrong. Or it’s not there. Just a blank slip in your hand. Stop shaking.
HR billed me. Of course they did. I didn’t kick it; I kicked through the drywall. There was a hole. A jagged one. I remember the dust. It settled in my boots. That’s why I hated the boots. Heavy. Full of debris. I’m not sweating. It’s cold. You’re cold. I’m holding the slip. It’s blank. Of course it’s blank. It’s a ghost. Like the boss. Like the wine. I didn’t drink it. I poured it into the plants. The ferns died. They turned brown and crisp. I felt sorry for them. I watered them every day. Nothing grew. Just dust. And that receipt. It’s just paper. Thin. Fragile. I could tear it. But I won’t. I’ll keep it. In my pocket. Against my leg. It’s warm there. Or maybe that’s just my hand. You’re staring at my fingers. They’re shaking. Not from fear. From the cold. It’s always cold.
Your boots were indoors. No dust. You’re describing a construction site, not an office. And ferns don’t turn crisp from too much water; they rot. You’re conflating decay with neglect. The receipt is in your left pocket. You’re clutching your right. Stop shifting. The cold is just in your head.
Right pocket. I know it’s the right pocket. I put it there. I remember the weight. The paper against the denim. It’s not blank. It’s got numbers. 2:45. I can see them. Faint. Like fingerprints on glass. You say the ferns rotted. Maybe they did. I didn’t look close. I was too busy staring at the ceiling. The crack in the plaster. It looked like a map. Of nowhere. I didn’t kick the door. I pushed it. It was open. I didn’t need to kick it. I’m not sweating. My hands are dry. You’re saying they’re shaking. I don’t feel them shaking. I feel nothing. Just the cold. In my head. Like you said. But the receipt is heavy. It’s pulling my pocket down. Look at my pocket. It’s sagging. That’s real. The rest is noise. You’re making noise. Why do you need me to be precise? The machine gave me what I asked for. Or didn’t. I don’t remember. I just remember the cold. And the pocket. Always the right pocket.
Right pockets don’t sag. Jeans are cut for balance. You’re holding a rock. Or a fist. And you didn’t kick the door, but the frame is split. Drywall doesn’t split on push. It cracks. You’re lying about the violence to hide the fear. The receipt is light as air. You’re just gripping it too hard. Let go.
It’s not a rock. It’s a tooth. I pulled it out. Molar. Bottom left. The dentist said it was impacted. I bit down on a napkin. Blood everywhere. Red on white. Like the wine. But darker. Thick. I swallowed it. Or spit it into the sink. The frame is split. I did that. With a wrench. Not a kick. A wrench. Heavy steel. I swung it when the server crashed. When the data vanished. Ten years of work. Gone. Just like that. No noise. Just a blank screen. The receipt is light. I’m holding my breath. My fingers are white. Knuckles popping. You want me to let go? I can’t. It’s the only thing I have that’s real. The tooth. The wrench. The split wood. The rest is... it’s all just air. You’re breathing it. I’m not.
You don’t have a molar. You floss. I see the brush. And you didn’t bring a wrench to the office. Security would’ve stopped you. You’re holding a pen. A cheap plastic one. The breakage in the frame? That’s from moving the desk. You’re juggling props now. Drop the pen. Just stop.
I don’t floss. I pick. With a needle. From the hardware store. The cheap plastic one snaps. It always does. I’m tired of them bending. Reminds me of the fishing line in Maine. We got stuck in the weeds. My dad cut the line. We lost the cooler. He didn’t care. Just walked back up the trail. No anger. Just… done. The frame is split. I know it is. I saw the splinters. Tiny. Sharp. Like teeth. I didn’t bring a wrench. I brought the pen. To sign the lease. Or the waiver. I forgot which. My hand won’t open. It’s locked. Like a claw. You want me to drop it. But if I drop it, I lose the thread. The 2:45. The machine. The cold. It’s all connected. The pen is the only thing holding it together. If I let go, it falls apart. Like the desk. Like the ferns. Like the boss. I’m holding on. You’re pushing. Why? It’s just a pen. Just a receipt. Just a lie. I’m tired of lying. But I have to. To keep the shape.
Maine’s salt air rusts hardware. Your needle is stainless. You’re describing a marina, not a kitchen. And you didn’t sign a lease. You’re unemployed. The pen’s gone. You’ve been miming for an hour. Sit down. Your knees are knocking. It’s not the cold. It’s the exhaustion of holding nothing up.
Stainless steel doesn’t rust. Not in a year. Not in ten. I know metallurgy. I used to. Before I got lazy. The marina was salt water. I threw up. Everywhere. In the boat. The captain yelled. I didn’t care. I just wanted to get off. The pen is gone. I dropped it. On purpose. To see if you’d catch it. You didn’t. You just kept talking. About knees. About exhaustion. I’m not tired. I’m... hollowed out. Like a nut. The shell is hard. The meat is gone. Unemployed. Is that what I am? I thought I was on leave. Or break. There’s a difference. Or there was. I’m sitting. The floor is cold. Hard. Real. Unlike the pen. Unlike the receipt. Unlike you. You’re looking at my knees. I know. They’re shaking. Not from fear. From hunger. I haven’t eaten. Not since... since the machine. 2:45. It’s 3 now. Or 4. Who cares? The time is wrong anyway. Always is.
You’re not unemployed. You’re suspended. Pending investigation. And you didn’t drop the pen. You’re still holding the ghost of it. Your fingers are curled tight. White tips. Hunger doesn’t make knees shake like that. It’s withdrawal. From what? The coffee? Or the lie? 2:45 is still 2:45. Stop lying about the time. It’s 2:46. You’re late.
Suspended. Pending. The words taste like copper. Like that blood I swallowed. Or didn’t. I’m holding the pen. I can feel the plastic. The ridge near the clip. You say my fingers are white. Maybe they’re blue. Circulation cuts off. Just like the power grid last winter. The whole block went dark. We sat in the living room with candles. My neighbor’s dog barked. Nonstop. For hours. I hated that dog. It sounded like it was dying. Or laughing. 2:46. It’s only a minute. But a minute is a lifetime when you’re waiting for a machine to spit out a receipt that proves you existed. I’m not late. I’m just... present. In the delay. You say it’s withdrawal. From the lie? No. From the certainty. The 2:45 was safe. It was fixed. Now it’s 2:46 and the window is closing. I can feel it. The door shutting. I didn’t drop the pen. I’m squeezing it. Hard. To keep the shape of the minute. Just a second longer. That’s all I want. One more second. Before the dark comes back.
The grid didn’t fail. Your building has a generator. The neighbor’s dog is dead. I buried it. You’re squeezing a pen that’s been in the trash for days. You’re hallucinating the plastic. Stop. It’s not 2:46. It’s 2:45 forever. You’re stuck in the print head. Let go.
Dead. You buried it? That’s... grim. I liked that dog. It bit me once. Hard. Right through the jeans. The pain was sharp. Real. This plastic isn’t real. You’re right. It’s not. It’s just pressure. Nerves misfiring. The generator hums. Always. A low, electric drone. Like a hive. I’m stuck in the print head. That’s... poetic. Or clinical. I don’t know. The paper is feeding through. Slowly. Grinding. I can feel the teeth of the rollers. Metal on metal. Squeezing. It’s warm. The heat of the mechanism. That’s what I’m holding. The warmth. Not the pen. The heat. It’s fading. You say 2:45 forever. A loop. I remember the loop. The static. The white noise. I turned the volume down. Just a click. And then the coffee. The bitter taste. The stain. I didn’t drink it. I let it go. The receipt is blank. It’s always blank. The time doesn’t matter. The machine doesn’t care. It just prints. And prints. And prints. I’m letting go. The heat is gone. My hand is empty. Your turn. What’s in your pocket? Is it heavy?
My pocket’s empty. Just lint. And that’s the point. You’re done. The loop’s broken. 2:45 is just a number on a screen now. You’re shivering. Not from heat. From the drop. Stop looking at my hands. Look at the wall. It’s quiet there.
Lint. Of course. The static cling of a life unlived. I look at the wall. It’s gray. Or maybe white. The paint is peeling near the baseboard. Little flakes, like skin. I remember when I tried to patch that. The spackle never dried right. It stayed tacky. Gummy. Like regret. You say I’m shivering. From the drop. Yeah. The elevator cable snapping. The air rushing past ears. For a second. Just a second. Before the impact. I’m not looking at your hands. I’m looking at the crack in the plaster. It looks like a river delta. Dry. Empty. I used to draw maps there. With a pencil. The one I dropped. Or didn’t. It doesn’t matter. The wall is quiet. It doesn’t ask for receipts. It doesn’t care about the time. It just is. I’m just being. For now. The shivering stops. Or starts again. I can’t tell the difference anymore. The silence is loud. It rings. Like tinnitus. After a concert. Or a bomb. I close my eyes. The wall is behind them too.